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Twentieth Century Fox paid Robert Redford $3 million to portray penologist Tom Murton in the film Brubaker, released last week. Tom Murton's lifetime earnings will probably never total $3 million. Or even $2 million...

Author: By David Frankel, | Title: Cool Hand Bob | 6/27/1980 | See Source »

...calls Brubaker the best film about a plantation prison, comparing it to Cool Hand Luke, about a chain gang, and Papillon, which showed life in a penal colony. Redford, he says, seems deliberate and intelligent, perfect for the role of the good guy, the renegade hero...

Author: By David Frankel, | Title: Cool Hand Bob | 6/27/1980 | See Source »

...fact, Redford plays Murton with quiet aplomb. It is not a particularly demanding role; anyone can look horrified by the abuses at the Arkansas prison. And the abuses reel by in living color: whippings, rapes, tortures and murders, all preparation for the true-to-life discovery of coffins in the prison field...

Author: By David Frankel, | Title: Cool Hand Bob | 6/27/1980 | See Source »

...Paul Redford as Vladimir and Brian McCue as Estragon cannot be faulted for following these instructions; just quite the opposite, both strain to play up the many truly funny lines. But for the most part, their Odd Couple is more Camus and Sartre than Laurel and Hardy, blankly meditating on life's emptiness. Both are skilled actors, with exceptional diction, and their interplay is the highlight of this production. Their comprehension of the interchangeable nature of their roles seeps through each line: Vladimir speaks in verse, though Estragon is the poet. McCue and Redford mimic so subtlely that only during...

Author: By James L. Cott, | Title: L' Absurdite, C'est Moi | 5/1/1980 | See Source »

McCue and Redford are not the only characters to don headgear. But neither Jeff Horwitz as Pozzo, a representative of the society that Beckett challenges, nor Lisa Claudy, as Pozzo's servant Lucky who responds to his master's every call, can remove their hats with the same aplomb. They lack Redford and McCue's dramatic dexterity. Horwitz seems content to outshout the rest of the actors, sounding more vaudevilian than dramatic. Claudy is not up to Beckett's extremely demanding monologue that satirizes Joyce, and sounds uncomfortable with the speed with which she must utter Lucky's stream...

Author: By James L. Cott, | Title: L' Absurdite, C'est Moi | 5/1/1980 | See Source »

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