Word: redfords
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Dates: during 1970-1979
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...Deep, most people dismissed Nick Nolte as a dumb blonde pretty-boy, a poor man's Robert Redford. But Nolte's not as dumb as he looks, and that's his fortune--always managing to act one notch more sensitive and intelligent than you think he's capable of. That's not much, and he gets away with a lot, until his "big" scene at the end of the movie, when he emotes and rocks and gesticulates like a marionette and babbles in an elaborately whiny voice. Mostly, though, he's pretty good--funny, spirited, with a tongue-in-cheek...
Andrew Borowitz seems admirably suited for the part of Rodrigo, the circus acrobat turned informer, although at times his lines are inaudible; Maura Moynihan is uncannily boyish as his male sidekick. One of the best cameos is Paul Redford's chilling portrayal of Jack. He is authentically sinister in a horrifying last scene...
This particular actor-saving ploy on Sellars' part costs him an entire half of the play's plot. No one in the audience who has not read Much Ado About Nothing beforehand can make sense of the main romantic plot of Claudio (Paul Redford) and Hero (Grace Shohet) without the separate Dons...
Claudio is meant to be a dullard aristocrat, insensitive and unpoetic--his highest flights of imagination produce feeble lines like Redford's sulky performance is sufficiently imperceptive but occasionally mannered, Shohet's graceful but hard to judge, since she has so few lines...
...student actors are Anne Clarke '79, Grace Shohet '81, Christian D. Clemenson '80-3, Japes Emerson '78, David Frutkoff '79, Brian G. McCue '81, Paul Redford '80 and David Reiffel...