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Word: redfords (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

ORDINARY PEOPLE Directed by Robert Redford; Screenplay by Alvin Sargent

Author: /time Magazine | Title: Cinema: Nuclear Explosion in Chicago | 9/22/1980 | See Source »

...catalogue of what is ordinary about Ordinary People stop there. For the fact is that Robert Redford, directing his first film (based on Judith Guest's novel), has created an austere and delicate examination of the ways in which a likable family falters under pressure and struggles, with ambiguous results, to renew itself. This is not very show-bizzy stuff, but for once, a movie star has used his power to create not light entertainment or a trendy political statement, but a work that addresses itself quietly and intelligently to issues everyone who attempts to raise children must face...

Author: /time Magazine | Title: Cinema: Nuclear Explosion in Chicago | 9/22/1980 | See Source »

...long ago, moviegoers knew, or cared about, only the big stars-Streisand and Newman, Fonda and Redford. Now the directors are often just as famous: Francis Coppola, Stanley Kubrick, Steven Spielberg, George Lucas. But who has heard of Reuben Cannon, Michael Fenton and Partner Jane Feinberg, Jennifer Shull, Lynn Stalmaster or Joyce Selznick? Almost 50,000 members of the Screen Actors Guild, that's who. For these are the casting directors, the silent powers who put the sparks into most of those stars way back when and who often mean the difference between a smash and a bust...

Author: /time Magazine | Title: Show Business: Invasion of the Body Snatchers | 9/8/1980 | See Source »

Somehow one does not think that civilized old England has a prison system seriously in need of the services of Brubaker, the reform-minded prison warden recently portrayed by Robert Redford. But aside from the fact that the Borstal, a juvenile facility, in Scum is neat and clean, unlike the pigsty prison farm in Brubaker, the two institutions are identical...

Author: /time Magazine | Title: Cinema: Borstal Boys | 9/8/1980 | See Source »

...leathery as a football left out in the Texas sun-looks like the last of the red hot Muppets. No matter: the camera loves Willie Nelson. In The Electric Horseman, he simply leaned back, squinted, expectorated a few down-home aphorisms and stole a scene or two from Robert Redford. Now Nelson has been fitted for a sin-and-suffer role out of a '30s weepie-the Leslie Howard part in Intermezzo, to be precise-and he wears it as comfortably as a pair of custom-made boots...

Author: /time Magazine | Title: Cinema: Sweet Willie | 7/28/1980 | See Source »

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