Word: redfords
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...abound everywhere at the moment, film being no exception. One of the better of the Oswald-Nixon-Sirhan Sirhan-Hunt-Walt Disney-Did-It genre, Three Days of the Condor, now showing at the Circle Theater in Brookline, makes the trip over the Charles to Cleveland Circle worthwhile. Robert Redford battles the mailman, Faye Dunaway, paranoid and the CIA in a taut and suspenseful film. By the end, it's tough to figure out whom to trust, except the Sundance...
...keeps its word. It is hard to get indignant about it, or enthusiastic either. There is no clear compliment the movie can be paid without an immediate qualification: it is smooth but forgettable, bearable but brainless. The film has nothing novel to say and nothing to offer except Robert Redford. But the way things work in Hollywood these days, Redford is enough...
Three Days of the Condor should be considered not so much as a movie as what Hollywood calls a project. Based on a least-selling novel called Six Days of the Condor, by James Grady, such a project is conceived and comes into being only because Redford agrees to show up in it. Redford is a good, shrewd, sometimes very funny actor, but the fact that movies like Three Days of the Condor are not really worth making at all is a thought that occurs to no one. Neither Redford, Director Sydney Pollack (The Way We Were...
...these melancholy thoughts occur during Condor because there is little else to think about. Everything in the movie is familiar. Redford appears as Turner, a blithe, intelligent functionary in an unimportant CIA office in New York. He finds all his co-workers slaughtered one day. Figuring that he is next on the list for removal, he takes it on the lam. Turner calls into headquarters for help, but it seems that headquarters wants to kill him too. Everyone wants to kill him, except the melancholy, liquid-eyed Kathy (Faye Dunaway). Redford rewards her by commandeering her car and apartment, tying...
After this requisite romantic interlude, Redford goes on the run again, trying to sort the good guys from the bad. The movie is predictable enough to pass as a game of fill-in-the-blanks; audiences could be invited to contribute their own gimmicks. Condor is so pat, however, that no matter what extravagances of plot were supplied, everything would still come out the same way in the end: empty...