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...former slave (Roosevelt Grier), now chief of the Tuscarora Indian tribe, gives ole Dan'l a hand in snatching a British cannon. "Rosy" will be back in other episodes. THURSDAY NIGHT MOVIES (CBS, 9-11:20 p.m.). Natalie Wood, Christopher Plummer, Roddy McDowall, Robert Redford and Ruth Gordon ramble through the Hollywood of the '30s in Inside Daisy Clover (1966). IT TAKES A THIEF (ABC, 10-11 p.m.). Fred Astaire also takes on a recurrent guest-star role as the retired master thief and father of Alexander Mundy (Robert Wagner). He gives his son a little assistance...

Author: /time Magazine | Title: Television: Oct. 17, 1969 | 10/17/1969 | See Source »

...Robert Redford, by contrast, glowers like Hud in the role of the Sundance Kid. As a cold-blooded killer, he bears little resemblance to the whining husband of Barefoot in the Park. His moustache droops, for one thing. He grunts, bites bullets, and shoots people (mostly Bolivians) with laughable accuracy. Both Newman and Redford bring sharp comic timing to the title roles, but Sundance is the more remarkable creation. He's chilling and funny at the same time...

Author: By Thomas Geoghegan, | Title: The Moviegoer Butch Cassidy and the Sundance Kid at the Savoy | 10/16/1969 | See Source »

...time of the pistol-packing renegade had run out-worldwide. In 1909, they met their appropriately gory end, undone by two new enemies, the federates and the 20th century. As Butch and the Kid, respectively, Paul Newman and Robert Redford are afflicted with cinematic schizophrenia. One moment they are sinewy, battered remnants of a discarded tradition. The next they are low comedians whose chaffing relationship -and dialogue-could have been lifted from a Batman and Robin episode...

Author: /time Magazine | Title: New Movies: Double Vision | 9/26/1969 | See Source »

...stubborn kind of performer who is as suspicious of the Hollywood system as a student rebel is of the university trustees. Many of the young stars are, in fact, anti-stars, who fight against the inducements and erosions of the big time. People like Olivia Hussey, Robert Redford and David Warner have nothing against fame, but they trade on it to gain freedom?the freedom to choose their roles and their directors. The once-desirable studio contract now looks like slavery...

Author: /time Magazine | Title: Cinema: The Moonchild and the Fifth Beatle | 2/7/1969 | See Source »

BAREFOOT IN THE PARK. Jane Fonda and Robert Redford do well by Neil Simon's Broadway comedy about newlyweds settling down in a six-flight walkup...

Author: /time Magazine | Title: Television: Aug. 4, 1967 | 8/4/1967 | See Source »

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