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Still, authenticity is served. All the numbers are built on the era's vintage tunes and formats--the loose, buoyant ensembles (Moten Swing and a hypnotically undulating Pagin' the Devil), the "cutting sessions" (Yeah, Man, a fiery face-off between the tenor saxes of Redman and Craig Handy), the crescendoing call-and-response riff patterns (I Left My Baby, whipped to a fervent pitch by Curtis Fowlkes' swaggering trombone), the galloping flag wavers (Lafayette, a raucous vehicle for trumpet soloists Nicholas Payton, James Zollar and Olu Dara) and the rococo after-hours ballads (I Surrender Dear, in which James Carter...

Author: /time Magazine | Title: MUSIC: FINDING A COMMON GROOVE | 6/24/1996 | See Source »

...said, it's a gas. The mix of 21 musicians includes veteran players whose stylistic roots go back to Kansas City and beyond--alto saxophonist David ("Fathead") Newman Jr., drummer Victor Lewis--and younger stars who actually seem to enjoy paying their respects to tradition--tenor saxophonist Joshua Redman, guitarist Mark Whitfield, bassist Christian McBride. On track after track, soloists of different generations find a common groove. On Froggy Bottom, altoist Newman, 66, and guitarist Whitfield, 29, turn out to speak the same blues language, lyrical as well as funky. One of the CD's two versions of Solitude...

Author: /time Magazine | Title: MUSIC: FINDING A COMMON GROOVE | 6/24/1996 | See Source »

...Marsalis champions core values: master the instrument, study the greats such as Monk and Ellington and dress and comport yourself with the dignity the music deserves. Though the battle for the music's soul goes on, the success of other young jazz stars in the '90s, from saxophonist Joshua Redman to pianist Eric Reed, is proof of Marsalis' influence. "I've played 150 concerts a year for 15 years," he says. "It helped to rebuild the jazz audience. Younger musicians see you play, and they get inspired to practice. Older musicians, maybe their confidence has sagged a little...

Author: /time Magazine | Title: TIME 25: THEY RANGE IN AGE FROM 31 TO 67 | 6/17/1996 | See Source »

VANDERBILT: Hillmon 2-7 0-1 4; Redman 1-2 0-0 3; Palmisano 1-3 0-0 3; Cunningham 5-9 1-4 11; Jared 3-3 0-0 9; Ostrom 2-4 4-4 8; Ostendorf 3-5 2-5 8; Respondek 3-5 3-6 9; Janky 2-4 2-2 6; Gorsica 0-2 0-0 0; Sam 15-19 7-9 39. TOTALS...

Author: By Ethan G. Drogin, SPECIAL TO THE CRIMSON | Title: Women's Cagers Toppled By Vanderbilt in Tourney | 3/16/1996 | See Source »

Each weekend, students can see everything from orchestras to a capella groups. Some of the nation's best-known musical talents hail from Harvard: Yo Yo Ma '76, Leonard Bernstein '39, Robinson Professor of Music Robert D. Levin '68 and more recently, jazz musician Joshua Redman '91 and cellist Matt Haimovitz...

Author: NO WRITER ATTRIBUTED | Title: Students Criticize Theory Emphasis | 3/11/1996 | See Source »

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