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...Reed established publishing companies intended to expand the idea of what texts and which authors make up the canon of American literature, a national literature which includes "Chicano and Chinese, Yiddish and Native American, Anglo-Saxon and Afro-American, multicolored and multivocal," says Reed...

Author: By Maia E. Harris, | Title: SCRUTINY | 2/26/1987 | See Source »

...REED BEGAN HIS PROFESSIONAL career as a staff correspondent with the Buffalo Empire Star Weekly. During the summer of 1961, Reed and the Star's editor co-hosted a controversial radio roundtable which presented political opinions and personalities even further left than the civil rights activists. The radio station cancelled the program after Reed interviewed Malcolm X, the leader of Nation of Islam, the Black nationalist movement...

Author: By Maia E. Harris, | Title: SCRUTINY | 2/26/1987 | See Source »

...Reed moved from Buffalo to New York City and became actively involved in the birth of the Black arts and Black power movements as well as various underground integrated political-cultural organizations. He served as editor of Advance, a Newark, New Jersey weekly and then moved on to found the East Village Other, the first non-conventional newspaper to achieve national circulation. He also participated in the Umbra Workshop, a Black writers' group which "began the influorescene of Black Poetry as well as other recent styles of Afro-American writing," he says. In 1966, he published his first novel...

Author: By Maia E. Harris, | Title: SCRUTINY | 2/26/1987 | See Source »

...Reed left New York in 1967 to move to Berkeley, California and has taught at the University of California at Berkeley ever since as well as a variety of other institutions across the country...

Author: By Maia E. Harris, | Title: SCRUTINY | 2/26/1987 | See Source »

...Reed wages constant war against what Northrop Frye calls "the lumber of stereotypes, fossilized beliefs, superstitious terrors, crank theories, pedantic dogmatisms, oppressive fashions and all other things that impede the free movement of society." He refuses to use buzz-words or catch-phrases with the easy eloquence of a critic. He refuses to label himself as part of any tradition, be it post-modernist, anti-feminist, even Afro-American. He refuses to talk in categories--when asked about Black writing, he talks about Native Americans, Italian-Americans...

Author: By Maia E. Harris, | Title: SCRUTINY | 2/26/1987 | See Source »

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