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...method. He sifts through the histories of players, arenas, and American culture, with no particular emphasis on his own life. Of his better-known teammates he provides biographical accounts, which are almost always ironic reversals of the Chip Hilton hero-makes-good stories. He traces the life of Willis Reed from cotton-picking in Mississippi to knee operations in the NBA; Jerry Lucas from Phi Beta Kappa and stardom to bankruptcy; Earl Monroe from street fighting in Philadelphia to racial harrassment in New York; and Walt Frazier from a defunct pimp father to a Rolls Royce and the clothes...

Author: By Tom Keffer, | Title: Worse for the Wear | 5/18/1976 | See Source »

...talent for descriptive lists and characterization, but his experience hasn't supplied the vocabulary for his mature vision. Two distinct styles of writing fall out in this loose weave of narrative and analytic musing; one of sardonic realism and another of patriotic camp. On one page, he describes Willis Reed pondering "how a rabbit does it," and on the following, he sums up the 1973 championship with the old saw, "Vicariously experiencing the victory can't compare to being Number One." The maudlin cliches of the sports world are not geared toward the cynicism implicit in Bradley's off-beat...

Author: By Tom Keffer, | Title: Worse for the Wear | 5/18/1976 | See Source »

Died. Sir Carol Reed, 69, famed British film director who excelled in portraying the loner (Odd Man Out, 1946; The Man Between, 1953) and in melodramas of suspense (Night Train to Munich, 1940); of a heart attack; in London. At 29, Reed won the praise of Critic-Author Graham Greene, with whom he was to collaborate on some of his best and most atmospheric films, notably The Fallen Idol (1948) and The Third Man (1949), starring Orson Welles and Joseph Cotton. Sir Carol's first musical, Oliver!, though not a favorite with critics, won an Oscar as the best...

Author: /time Magazine | Title: Milestones, May 10, 1976 | 5/10/1976 | See Source »

...types are permitted to get caught with your hand in anything except another man's," Lilly tells two Government officials whose groping she has mischievously joined under the dinner table. Such dialogue befits TV Critic Lilly Shawcross, who is described as falling somewhere between Pauline Kael and Rex Reed. As a fictional character she inhabits a latitude equally indeterminate and unlikely - between Becky Sharp and Mary Tyler Moore...

Author: /time Magazine | Title: Books: Valley of the Guys | 5/3/1976 | See Source »

Jimi Hendrix. Brian Jones. William Burroughs. Andy Warhol. Janis Joplin. Lou Reed. Edith Piaf. Baudelaire. Norman Mailer. Rastafarianism. Playwright Sam Shepherd...

Author: NO WRITER ATTRIBUTED | Title: Horse Feathers | 3/23/1976 | See Source »

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