Word: reeds
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Dates: during 1930-1939
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...sanctity of the Justices' robing room in the new Supreme Court Building. A few days before the Senate had confirmed President Roosevelt's second Supreme Court appointment -even more perfunctorily than in the case of Hugo Black. The Chief Justice administered the Constitutional oath to Stanley Reed, who then marched into the courtroom in his brand-new black robe to take his place as the 77th Justice to sit on the high bench, succeeding Associate Justice Sutherland. Before the former Solicitor General could sit in judgment, however, he had to take a second, judicial oath, swearing...
...Justice Reed did not of course take part in a unanimous and significant decision that was promptly handed down. Written by Justice Brandeis it held that Federal District Courts were without power to enjoin the National Labor Relations Board. The case involved Bethlehem Shipbuilding Corp. and Newport News Shipbuilding & Dry Dock Co. Said Justice Brandeis: "Since the procedure before the Board is appropriate and the judicial review . . . is adequate, Congress had power to vest exclusive jurisdiction in the Board and the Circuit Court of Appeals...
...unscheduled two-hour heart to heart talk President Roosevelt last week persuaded Assistant Attorney General Robert Jackson to take the job of Solicitor General, vacated by Stanley Reed's appointment to the Supreme Court. Bob Jackson accepted on the understanding he would be allowed to name his own successor as chief trustbuster to the Department of Justice. But he accepted against the advice of his good & liberal friend, Brain-truster Thomas ("The Cork") Corcoran. For Attorney General Cummings and other Administration Right-wingers the Jackson appointment was a notable victory. Mr. Cummings has never seen eye to eye with...
...Darling Daughter," by Mark Reed is a constantly and intensely amusing study of what happens when Greek meets Roman, or when innovators and liberal thinkers throw in their lot with more staid and conventional livers. The comedy is perhaps principally one of situation, but this does not keep the characters from being creditable and highly interesting...
...Krupa's imperious drum beat and Teddy Wilson's rippling piano. But the event of the evening was the "jam session," effacingly noted as "no doubt the greatest contradiction a swing program could offer," but in effect a blaring success. Amiable Mr. Goodman seated himself in his reed section, his professional spectacles gleaming, and Count Basic began thumping a blues on the piano. For two or three choruses it looked as though the boys were not going to get off. Then the afflatus descended, Goodman took a chorus, Trumpeter Harry James cut one and the whole group swung...