Word: reeds
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Dates: during 1970-1979
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...area. At 1500-meters. Thad McNulty and John Murphy should produce some good results, but at 5000-meters, Ed Sheehan's ability to produce is uncertain. Sheehan could add some power, but he had not regained his form of the early indoor season since battling a mid-season illness. Reed Eichner and Brian Finn will carry the Crimson through the steeplechase; but because this is the first time Harvard will run the event steadily, no one expects miraculous results...
Meanwhile, David Bowie, the man who fell to earth, will fall into the Garden sometime in early May. Also be on the lookout for Lou Reed, who'll be coming to the Paradise...
...goes at you with a jack-hammer. Women in Love somehow enjoys a reputation as this one man wrecking crew's most meaningful work, but here, as in all his other films, Russell's only evident meaning lies aching behind his zipper. "Was it too much for you?" Oliver Reed asks Alan Bates after they finish a wrestling match in the raw, the homosexual hints dripping off their bodies faster than sweat. Then the line pops up again, this time after Reed has been rollicking in the snow with Glenda Jackson: "Was it too much for you," he asked...
...this beast simplistically lumbers, supposedly in the name of art and sensitivity. See Reed groan and growl with animalistic desires. See the abused Jackson run off with a scrawny but spiritual switch-hitter. See Bates act like a blubbering booby as he tries to convince Reed to reciprocate in a partnership of Platonic love. Art, my Oedipus complex. More like a "Dick and Jane" for voyeurs...
...blacked-out stupor, he is bilked of his home, and gangsters lie in wait for him. The son (Ebbe Roe Smith), a touching fool-in-Christ figure, simply wants to hang onto a place that is already lost, and the daughter (Pamela Reed) plans to retrieve the loss by becoming an efficient criminal...