Search Details

Word: reelers (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

...film proves that students can shoot a good hour-long, black and white, one-reeler and can shoot one with relatively little expense. The lighting is used effectively throughout the film and is especially impressive in the day-to-night transitions. The angles used are carefully thought out and yet are not so artsy that they intrude upon the viewer's appreciation of the film. This taste for successful angles is coupled with a consistent awareness of composition. Attention to composition is especially apparent in shots of groups of two and three people...

Author: By Theodore Sedgwick, | Title: Friends at 2 Divinity Avenue tonight | 10/22/1969 | See Source »

...scene is from a 1929 two-reeler starring, as the salesmen, those two heroes of the harebrained, Stan Laurel and Oliver Hardy. To the uninitiated, the mayhem may seem just a grand exercise in slam-bang slapstick. But to a fan club called the Sons of the Desert, it is a classic example of the high comedic art of "reciprocal destruction" and worthy of scrutiny down to the last double take. Described as "an organization with scholarly overtones and heavily social undertones," the Sons of the Desert (named after an L. & H. film) was founded two years...

Author: /time Magazine | Title: Movies: The L. & H. Cult | 7/14/1967 | See Source »

...Twiddle. The tributes, though, keep growing. Later this month, the L. & H. lore will be further enriched by the publication of The Films of Laurel and Hardy* by William Everson. Incisive, objective and generously illustrated, the book traces the development of the team from their first silent two-reeler, Putting Pants on Philip (1927)-a fast-paced trifle with elements of homosexual humor-through their hilarious, Oscar-winning The Music Box (1932), to the sad, tired, misconceived mishmash, Atoll K (1952). In all, the dim-witted duo made 90 films as a team, immortalizing such mannerisms as Ollie...

Author: /time Magazine | Title: Movies: The L. & H. Cult | 7/14/1967 | See Source »

...Gwen Verdon is the dancer assoluta of the U.S. musical stage. She moves to the impulsive music of instinct as a child laughs and a dolphin leaps. She is Terpsichore's darling and yet fortune's foil. She is a wistful waif out of a Chaplin two-reeler, a Broadway gamin skipping along the harsh pavements of defeat with perky gallantry, one of nature's eternally winning losers. Verdon is verdant, and it is lucky that all is well with her, for all is not so well with her musical...

Author: /time Magazine | Title: Theater: Terpsichore's Child | 2/4/1966 | See Source »

| 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | Next