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Word: reeling (lookup in dictionary) (lookup stats)
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...between Miner David Lattin and Wildcat Thad Jaracz, they had Kentucky off balance and off the goal. Midway through the first half, when Bobby Joe Hill, 21, Texas Western's standout guard, cleanly stole the ball twice in a row at midcourt, the Wildcats went into a reel that they never quite pulled out of. With a defense that strangled Kentucky in close and on the outside, Texas Western just kept pulling away by leaps and bounds until the final horn crowned them the national champions...

Author: /time Magazine | Title: College Basketball: The Miners' Major Upset | 3/25/1966 | See Source »

...with children, animals and a startling collection of peasant faces. None are professional actors; the Apostle Judas is a Roman truck driver, the Virgin Mary in her later years is Pasolini's mother. Pasolini catches their simplicity and intensity with powerful effect. His camera seems to rove, news-reel-style, seeking truth among the halt, the healed, the healers, the doubters and the eyewitnesses involved in some ancient miracles. Occasionally, the film is as violent as history itself. The slaughter of the innocents looses an avalanche of pity and terror upon a sunny hillside, and the Crucifixion scene could...

Author: /time Magazine | Title: Cinema: A Communist's Christ | 2/18/1966 | See Source »

LAUREL AND HARDY'S LAUGHING 20'S. From one- and two-reel silent comedies made before 1930, Cinema Anthologist Robert Youngson distills the best drollery of Stan Laurel and Oliver Hardy...

Author: /time Magazine | Title: Television: Dec. 24, 1965 | 12/24/1965 | See Source »

LAUREL AND HARDY'S LAUGHING 20'S. From one- and two-reel silent comedies made before 1930, Cinema Anthologist Robert Youngson distills the best drollery of Stan Laurel and Oliver Hardy and provides a welcome cure-all for atrophied funnybones...

Author: /time Magazine | Title: Television: Dec. 17, 1965 | 12/17/1965 | See Source »

Patch of Blue flirts openly with the issue of interracial love, only to leave it unresolved in the last reel, and the film's message becomes almost immaterial. In their quiet, tender scenes together, Hartman and Poitier conquer the insipidity of a plot that reduces tangled human problems to a case of the black leading the blind...

Author: /time Magazine | Title: Cinema: Color-Blind | 12/17/1965 | See Source »

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