Word: reels
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Dates: during 1980-1989
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LAST WEEK Alfred Hitchcock ascended his last staircase at age 80. He defined suspense in the cinema, playing with his audience's expectations, sustaining nearly unbearable levels of tension for reel after reel until everything exploded in one of his legendary roller-coaster "sequences"--the crop-dusting scene in North by Northwest, the shower scene in Psycho, the amusement park in Strangers on a Train, the back of the potato truck in Frenzy--you could go on and on. His films were really comedies, from the sick joke of Psycho to Cary Grant's "Wait a minute, fellas...
...real-life boss who found himself with a secretarial pool consisting of self-starters like Jane Fonda, Lily Tomlin and Dolly Parton would be afraid to make waves. But in Nine to Five, which the three are shooting together in Hollywood, their reel-life boss is so tyrannical they spend perfectly good clock-watching time fantasizing ways to get him into hot water. Some ways are slightly extreme: rat poison in the coffee Tomlin is required to fetch him, for example. But the movie is played for laughs, and in the end stenovirtue triumphs when the underlings reorganize the office...
...point, the Crimson Clung to a tenuous 4-3 lead, fifth-slotted Geordie Lemmon trailed 0-1 in games, and 1-8 in the second contest. But Lemmon showed his mettle by rebounding to reel off nine straight points, and thereafter had little trouble disposing...
Colored dots also fill the screen as the final credits roll for Being There, for which director Hal Ashby has coaxed terrific performances from Peter Sellers and Shirley MacLaine. These dots are tiny in contrast to those on the "filler" reel before Electric; they form the image of a gigantic color TV on the blink. This spectrum of static, infuriating when it appears on the 19-inch Sony in the den, seems almost beautiful, an electric Jackson Pollock or Gene Davis gone haywire on this enormous cinema canvas. The Being There audience stays until the last credit has disappeared over...