Word: refering
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...lies behind the soft voice and gentle manners. The Carter strategy is to attack Ford's record -mainly on the issues of inflation, jobs and leadership-but very carefully to avoid any knocks at the presidency. This poses an additional bit of tactical trivia for Carter: how to refer to his opponent. Calling him "Mr. President" might seem too deferential. A simple "Mr. Ford," on the other hand, might be a trifle patronizing. As the debate got closer, the possibility of just saying "President Ford" was favored...
...essay on the CBS Evening News. With his "somewhat forbidding Scandinavian manner" (as he has described it) and "a restraint that spells stuffiness to a lot of people," he has delivered so many thousand editorials, sermonets and sit-down comedy routines that the unkind younger generation has begun to refer to him as Eric Everyside...
...language of euphemisms and code words. Some former prisoners report, for example, that at the notorious Sao Paulo torture center of the Brazilian political police, a torture session has been called a "spiritual seance," as if it involved a cleansing of impurities. Victims in Chile say that DINA interrogators refer to Santiago's infamous Villa Grimaldi as the Palacio de la Risa?the Palace of Laughter. In Iran, Otagh-e Tamshiyat, or "the room in which you make people walk," is a name for the blood-stained chamber where prisoners are forced to walk after torture to help their blood...
Torturers generally refer to themselves by nicknames, in part because they do not want their victims to know their real identities. Often the nicknames derive from a physical feature, such as "the Tall One," or "the Mustachioed One." In South America, such aliases as El Aleman (the German), Cara de Culebra (Snake Face) and El Carnicero (the Butcher) are common. One particularly brutal torturer at Chile's Tejas Verdes camp near San Antonio used to tell prisoners his name was Pata en la Raja, meaning Kick...
...objecting, as some do, to the archaic language that Miller has used to suggest the historical period and create a Brechtian distance between audience and player. The chief agents are the use of "Mister" to address the men and of "Goody" (colloquialism for "Goodwife") to refer to the women, along with a lot of unusual third-person verb forms ("He have his goodness now"). But one has only to compare The Crucible with Shaw's Saint Joan--another play that climaxes with confession, recantation and martyrdom--to see how much greater a master of language the Briton...