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...dawn hours of July 5. Just a few hours after drunkenly celebrating the anniversary of our nation's independence, Glover bludgeoned Winchell to death solely on the basis of Winchell's suspected homosexuality. Although a jury found Glover guilty of premeditated murder, the greater implications of this case reflect the failure of the military's "don't ask, don't tell" policy towards homosexual service members...

Author: By Lorrayne S. Ward, | Title: "Don't Ask, Don't Tell" Doesn't Work | 12/17/1999 | See Source »

...This may simply reflect the belief around the world, the confidence, in the value of a U.S. Ph.D.," Berg says...

Author: By Joyce K. Mcintyre, CRIMSON STAFF WRITER | Title: Keeping the Pipeline Full | 12/16/1999 | See Source »

...democratically elected assembly from the houses is not the best way of gauging and representing student opinion. Nearly any yahoo who wants a council seat can get one, and even if elections were to become competitive overnight, it would still be impractical to expect the council to genuinely reflect student opinion...

Author: By Alan E. Wirzbicki, | Title: The Council Conundrum | 12/14/1999 | See Source »

...funny thing about McCain's story is that it has always worked better on other people than it has worked on him. The whole hero mantle, he claims, makes his skin crawl. That may be carefully calculated modesty, but it may also reflect a nagging problem. "It doesn't take a lot of talent," he says, every chance he gets, "to intercept a surface-to-air missile with your own airplane." And yet that failure as a pilot meant that he joined the truly tiny group of men who returned home from a reviled war and were welcomed with parades...

Author: /time Magazine | Title: Campaign 2000: The Power and The Story | 12/13/1999 | See Source »

...play. Helen eventually kills her husband, as the audience anticipates, and the court scene that ensues is fabulously orchestrated. Gunn demonstrates considerable talent in controlling his body. As robot-husband, he is eerily mechanical and almost reminiscent of an Edward Scissorhands figure. Parris and Agresta, both lawyers, reflect the insensitivity and detachment that the law has for human emotion. The bright lighting illustrates a sense of barrenness, and the media, Montoya and Gomes, again engage in their convincing double dialogue and contribute to the scene's mechanical intention...

Author: By Nikki Usher, CONTRIBUTING WRITER | Title: Machinal: Story of a Shocker | 12/10/1999 | See Source »

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