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Word: reflecting (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...indeed ample injustices in all of the disparate rituals through which convention delegates are picked. State primaries, originally intended to circumvent the political manipulations of party leaders at state conventions, are themselves often open to distortion. Some, like Oregon's open primary, are sufficiently broad-based to reflect more or less accurately the voters' will. Yet the results of primaries can be nullified by the unit rule, which applies in a number of states and binds all of the state's convention delegates to vote in a bloc at least through the first ballot. Thus imposition...

Author: /time Magazine | Title: Nation: ARE THE CONVENTIONS REPRESENTATIVE? | 7/19/1968 | See Source »

MOST testmakers conceded that their own cultural backgrounds impose a distinct bias on their questions. Arguing that all U.S. employment and IQ tests reflect the culture of white, middle-class America, Negro Sociologist Adrian Dove, 33, a program analyst for the U.S. Budget Bureau, devised his own quiz. Wryly known as the "Soul Folk Chitlings Test," it is cast with a black, rather than a white, bias. Some of his 30 black imponderables prove extremely difficult for Whitey: 1) Whom did "Stagger Lee" kill (in the famous blues legend)? a) His mother, b) Frankie, c) Johnny, d) His girl friend...

Author: /time Magazine | Title: Education: BLACK QUESTIONS FOR WHITEY | 7/12/1968 | See Source »

...notable loser is Ford's Mustang, whose sales have dropped an abysmal 24.5% since Jan. 1. The pull of the intermediates-about the same bumper-to-bumper length as the full-sized cars of eight years ago-seems to reflect a conservative trend in auto buying. In part, this is attributed to a more mature group of buyers: many youngsters, who would normally buy the hot-shot styles, are either in the military service or anticipating a call...

Author: /time Magazine | Title: Autos: Running Ahead at the Half | 7/5/1968 | See Source »

...recognize the erosion of supposedly permanent mores and attitudes that characterized the late '50s and early '60s. They will survey the cliches of this period-the alienation bit, the under-30 thing, the unromantic sex kick-and will realize that no matter how laughable, these stereotypes, too, reflect a troubled reality. The hippie scene and the identity crisis will no doubt someday assume an air of innocence and cherished worth along with the Front Porch, the Soda Fountain and the Family, which now warm the nostalgia of late-night retrospection. Hollywood, which liked to see itself as Everyman...

Author: /time Magazine | Title: Essay: THE LATE SHOW AS HISTORY | 6/28/1968 | See Source »

Latvian-born Sven Lukin, 34, also distorts perspective to reflect the pressures of Manhattan life. Of his grey and pink Squeeze, he explains: "Think of tender flesh squeezed under an environment that is all speed, cement and cars. Grey is an urban color." Squeeze seems to loom above the viewer far larger than its actual eight feet because its vanishing point is situated a foot or so below the painting, in what is known as "worm's-eye perspective." Traditionally, perspective was used to make a painting seem to open a window into the wall; Lukin uses the technique...

Author: /time Magazine | Title: Painting: A Bird's- & Worm's-Eye View | 6/28/1968 | See Source »

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