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Masters serve as advisors and role models to students and are integral to the formation of an open house community. The importance of this role demands that the composition of House Masters reflect the increasing diversity of the student body. While we do not doubt that capability and enthusiasm of current Masters, we do believe a more heterogeneous pool of Masters would better symbolize the College’s commitment to diversity and make House communities more welcoming for all students...

Author: By The CRIMSON Staff, | Title: Changing the Face of the Houses | 5/7/2001 | See Source »

While Brazile's time at the IOP has given her months to reflect on the 2000 election, she says that the Bush Administration has given her even more motivation to return to the political scene...

Author: By Imtiyaz H. Delawala and Imtiyaz H. Delawala, CRIMSON STAFF WRITERS | Title: Six Months After the 'Roller Coaster' | 5/7/2001 | See Source »

...possibility that the difference was due to random sampling because it does not tell us how many people responded to the items being compared. Nor does it tell us whether the comparison is based on identical surveys, administered through identical designs. Thus, we cannot tell whether the differences reflect question wording or question ordering or survey administration effects or real change...

Author: NO WRITER ATTRIBUTED | Title: Letters | 5/4/2001 | See Source »

Although these small idyllic drawings often reflect on the Venetian’s way of life during this period (for example, how “The Submersion of the Pharaoh’s Army in the Red Sea” reveal Venice’s dependence on its surrounding lagoon against foreign invasion), there is no doubt that these drawings are but mere subplots of this exhibition...

Author: By Joyce Kwok, CONTRIBUTING WRITER | Title: The Sacred and Profane | 5/4/2001 | See Source »

Trueba transports artists into the studio, playing them up against iridescent background screens, with colors ostensibly chosen (even if they don't always fit) to reflect each piece's prevailing moods, bathing the musicians in an almost aggrandizing glow. The effect is to catapult these artists to mythic, elevated status, which befits their talents, but not their music's spirit. The studio appears too sterile, too clean compared to the art, which has its roots as a dance music and involves a long history of Dizzy Gillespie's blazing, sweat-soaked solos or Mongo Santamaria's pulsing congas. Just...

Author: By James Crawford, CRIMSON STAFF WRITER | Title: Walking and Strolling Down "Calle 54" | 5/4/2001 | See Source »

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