Word: reflectivity
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Dates: during 1960-1969
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...Kazin, alas, has grown "tired of love and love and love." In truth it seems Mr. Kazin has simply grown tired. When an established critic tires he falls to attacking live authors (Williams) and quoting dead authors (Mann). Mr. Kazin wants dramatists to reflect "the enlarged voice of our human possibilities." It has always seemed to me that Tennessee Williams has spent a good deal of time in his plays pointing out that this voice has been slashed at the vocal cords in today's world. We may expect to hear more of Mr. Kazin: speeches before the D.A.R...
...institutions and mutual funds were coming back into the market in force, giving the hitherto neglected blue chips a handsome advance, along with the glamour stocks. But not all stocks were going up, and the 30 stocks in the Dow-Jones average did not accurately reflect the fate of many depressed stocks that are still down. Even during last week there was a sizable number of new lows for the year. Many traders believe that before the market can sustain its advance, more stocks will have to participate in the rise, and new highs will have to outnumber new lows...
...Street's most overworked words: selectivity. (The current definition: "Selectivity means that the stock you own goes up.") The best example of "selectivity" is the remarkable performance of the glamour, or growth, stocks. The blue-chip stocks included in the Dow-Jones average do not really reflect what has happened to these stocks. For months the blue chips have in general shown little or no gain, and many have lost ground. In the past year Standard Oil (N.J.) has dropped from 51¼ to 40¾, Du Pont from 25⅜ to 204¾, General Motors from...
...there is no likelihood of a price rise in the near future, they are keeping inventories at a minimum. Steelmen expect that they will be operating between 70% to 80% of capacity until late May, when buyers will have whittled away their new inventories. After that, steel business should reflect more closely the rate of business done by steel users...
...long supported himself by commercial art, but that day is past; the combines created in Rauschenberg's Manhattan loft bring from $400 to $7,500 apiece. Such public demand for such private images is one of the art boom's most fascinating phenomena. Does it reflect a starvation diet of subjective experience amongst the mass of rich Americans? Or do people buy Rauschenberg to share in his quiet protest against what they think cellophane-wrapped sort of world...