Word: reflectivity
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Dates: during 1960-1969
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...roll has lately acquired an engaging relevance to life that is found nowhere else in pop music. Says B.M.I.'s Russell Sanjek, whose firm represents battalions of teen music composers: "Who ever flew to the moon on gossamer wings or began a beguine? These songs reflect the times and the audience, and they're closer than they've ever been to their ultimate audience...
Quality, Not Quantity. "The Great Society is a place where every child can find knowledge to enrich his mind and enlarge his talents. It is a place where leisure is a welcome chance to build and reflect, not a feared cause of boredom and restlessness. It is a place where the city of man serves not only the needs of the body and the demands of commerce but the desire for beauty and the hunger for community. It is a place where man can renew contact with nature. It is a place which honors creation for its own sake...
Triumphant Catalogue. Elle does not so much reflect fashion as decree it. That sudden hemline plunge that Dior called the New Look did not descend from the salons to the boulevards until Hélène had endorsed it in the pages of her magazine. The parfum house of Chanel, which folded its fashion line in 1940, returned to eminence in 1956 via the same route. "Coco would eventually have launched herself," says Mme. Lazareff modestly, "but we first explained why it wasn't obvious how chic she is." "Everything that goes into the magazine," says Helene Lazareff...
...through the company's ranks. Not a public-school boy among them. Even more surprising, Leyland made two new appointments to the board of A.E.G., another important group subsidiary-and picked a 33-year-old and a 29-year-old from the ranks for the jobs. The shifts reflect the philosophy of Managing Director Donald Stokes, 50, a onetime salesman who took over last year and has made Leyland a trailblazer in professional management...
...Papered with People." The opening achieved a kind of quiet beauty entirely new to New York (see color pages). The theater's columned entrance faces Philharmonic Hall across a wide plaza, and the two buildings reflect each other in scale and design as well as purpose.* With audiences arriving at each and the fountain splashing between, both buildings acquire an air of excitement that is beyond the reach of either alone. But where Philharmonic Hall evokes a modern age of icy grandeur, the New York State Theater is a warm and elegant restatement of traditional splendor - reminiscent, in fact...