Word: regaled
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Dates: during 1970-1979
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...equipment served me so little." Heston's latest brush with the big boys is as King Henry VIII in Director Richard Fleischer's film The Prince and the Pauper. The actor needed plastic in his makeup plus padding on his body to effect the appropriate regal bearing. "My eyes are deep set; his were close to the surface," observed Heston. "My face is angular; his was square. My mouth is large; his was small. My nose is angular and broken; his was square and short." The makeup worked just fine in the end, noted the actor...
Granted the almost insuperable problems of portraying such exalted beings, Maggie Smith's Cleopatra and Keith Baxter's Antony are blazingly well executed. Smith is not precisely a sultry, sun-kissed figure of voluptuousness, but she is regal, cunning, mercurial, and desperately in love with her "man of men." One feels about Keith Baxter's Antony that he has outgrown the self-sacrifices characteristic of the Roman code. The grizzled veteran now prefers to make love...
...worn faces (George, Andrew Prine, Richard Jaeckel) or yokels who must have been discovered hanging around the Georgia location. Then they turned their attentions to having most of this motley assembly torn asunder by a marauding bear who is, in fact, rather cute. Since the bear seems such a regal, friendly creature, and since the cast is so ripe for quick demise, rooting instincts remain solidly with the animal...
...will be a royal Bicentennial. In fond, forgiving tribute to the nation that rejected monarchy 200 years ago, nine of Europe's ten reigning families will have visited the U.S. by year's end. Preparing for one of the biggest convergences of royalty since the days when regal retinues descended on Paris or Vienna for filet Empire, monarchs in palaces from Copenhagen's Amalienborg to Madrid's Zarzuela are brushing up on such transatlantic lore as Queen Elizabeth's relationship to George Washington (second cousin seven times removed) and the name of U.S.S. Monitor's designer (Swedish-born John Ericsson...
Robert Chapman's stately production of Mary Stuart succeeds handsomely in conveying the queen's dual tragedy, thanks to outstanding performances by Sarah Jane Lithgow and Laura Bartell in the leading roles. Stalking about her jail cell, villifying her jailers and judges with regal outrage, Lithgow's Mary Stuart dominates the first half of the play, outclassing every male actor in the show. Her controlled brilliance is more than matched, however, by Bartell's flamboyant portrayal of her English counterpart. Harsh, demanding, sometimes petty in her violent jealousies, Bartell's Elizabeth presents a clear dramatic contrast to Lithgow's more...