Search Details

Word: regales (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

...MIMI PAUL, 21, daughter of a Washington physician and a fashion designer, trained in Washington and abroad before joining the New York City Ballet in 1960. She is cast in the classical mold, a perfectly proportioned ballerina of ravishing grace and serene lyricism. Her expressive arms, arching back, and regal stage presence lend grandeur to a role, as exemplified by her Adagio in Symphony...

Author: /time Magazine | Title: Dance: The Comers | 10/30/1964 | See Source »

Stephen Wolpe's Oboc Sonata seemed to me the only disappointment of the concert, though Marx's sprightly staccato attacks of the first movement, and a regal unison with Wuorinen which opened the third, were among the evening's most exciting moments. The piece is too long, however, and redundant; too frequently Marx seemed to shriek in the high register or growl in the vulgar buzzsaw sound for which he has been criticized...

Author: By Jacob R. Brackman, | Title: Josef Marx Recital | 5/15/1964 | See Source »

Director Guzzetti is fortunate in his minor characters, for their performances range from passable to very good. Ellery Akers plays Helen as an empty-headed Fanny Hill, rather than a regal queen whose face launches a thousand ships, and plays her well. David Evett's Menelaus is properly unctuous and opportunistic. And Michael Nach's frenetic sing-song servility as a Phyrigian slave introduces the comic tone which diminishes the tragedy of Orestes...

Author: By Ben W. Heineman, | Title: Orestes | 5/1/1964 | See Source »

George Ortman spent five years making a chess set. He took time because he wanted the playing pieces to be symbols of themselves. The bishop was simple to design-a cross. The rook was square for solidity; the king was a diamond for a regal quality; the queen was a circle for femininity; the pawns were arrows for their singleness of direction. Ortman gave the knight the shape of a heart, for "it is impulsive and moves erratically...

Author: /time Magazine | Title: Art: Making Cheerful Symmetry | 4/24/1964 | See Source »

Tony, played beautifully by James Fox (and beautiful is the right word for both Fox and the performance), is the degenerate endpoint of a noble line. His clothes are from Saville Row, his scotch Chivas Regal, his monogram everpresent. But the manorial estate has given way to a small, though stylish, townhouse in Chelsea; imperial conquests in India to idleness and empty dreams of developments in Brazil; and martial valor to frustrating skirmishes of lust. On every wall hang pictures of distinguished forebears; father against the Germans, grandfather in the Great War, great to the nth degree grandfather at Waterloo...

Author: By Ben W. Heineman, | Title: The Servant | 4/15/1964 | See Source »

Previous | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | Next