Word: regaling
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Dates: during 1950-1959
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...nameless artisans. But so potent is Exú that even making his image is rarely undertaken except by direct appointment by the Orixás (gods). Top Bahian devilmaker today is Reginaldo Andrade Costa, 28, a part-time garage mechanic who agreed to make them only when a regal candomblé priestess known as a mãe do santo (mother of the saint) explained that the iron figures were harmless until "blessed." His raw material is scrap iron, but Costa's crudely formed statuettes are striking embodiments of evil, have the authority of images born of the terror...
...Bergner played on her audience with the familiar, huskily resonant voice (she practiced in her hotel room, crying sharp, staccato "ha, ha, ha's" up and down the scale), the erectly graceful carriage, the suddenly confiding smile. In stunned silence, the audience watched her run the gamut from regal pride to jaded irony to a kind of enervated despair. Said a damp-eyed Bergner in her dressing room afterward: "Most of the generation who used to know me are dead or disappeared. It's so terribly touching...
...with more conspicuous success. It was the wonder of his career that this adopted son who spoke a heavily Teutonic-flavored English and shaped his musical style after the Italians managed to leave his bulky imprint on England as no composer before or since. When he was buried with regal pomp in Westminster Abbey in 1759, 3,000 people attended the ceremony, and the press reminded its readers that Handel was to music what "Mr. Pope was in poetry." Last week, with performances of the operas Samson, Semele and Rodelinda, the English were again busy honoring their imported genius...
...Elizabeth II is a handsome woman of 5 ft. 3 in., brown-haired and blue-eyed, her head held royally on a swanlike neck. Her smooth skin, spring-in-England coloring and regal carriage give her subjects cause to call her beautiful. Her voice is clear-toned, with a still youthful ring; her movements are slow and assured. She wears her royal costumes and glittering gowns with majesty and grace; yet in tweeds and low-heeled shoes she gives out a no-nonsense warmth that can put any housewife in Winnipeg or Salisbury at ease...
Tall, russet-haired, regal of bearing, Ethel spoke to all ages. Her elders admired her art; her pre-World War I contemporaries copied her manner of speech, the way she walked, even the proud tilt of her head.. She belonged not to Broadway or to Hollywood, but to the country. For Ethel Barrymore became a star in an era when no star stayed put. A few months in Manhattan were always followed by tours to other cities-and all were equally important...