Search Details

Word: regalness (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...bulldog growls, his scruff standing, a gobbet of pig's knuckle between his molars through which rabid scums pit tie dribbles. ··· More than 1,000 Social Registerites and hangers-on clanked, rustled and jangled into Manhattan's Waldorf-Astoria Hotel to feel real regal at the annual Imperial Ball, sponsored for charity by Chrysler...

Author: /time Magazine | Title: People, Jan. 21, 1957 | 1/21/1957 | See Source »

...were marvels to behold, but none greater than the international set's large-hearted partygiver, Elsa Maxwell, 73, bedecked with such garnish as one of the world's biggest rocks (a 337-k. sapphire) in her guise of Russia's Empress Catherine the Great. Also gone regal was Metropolitan Opera Soprano Maria Meneghini Callas, playing her greatest nonsinging role as Hatshepsut, an 18th Dynasty Queen of Egypt. Prattled Columnist Maxwell just before the ball: "Maria and I, gentle as ewe lambs, will be side by side in the Parade of Empresses. What an amusing ending...

Author: /time Magazine | Title: People, Jan. 21, 1957 | 1/21/1957 | See Source »

Only in his declining years did luxury-loving El Greco's fortunes dwindle, and his regal apartments become threadbare and bleak. But in August 1612, El Greco, then 71, roused himself for a final great undertaking, the towering, 11½-ft. altarpiece, The Adoration of the Shepherds, painted to decorate his own tomb in the church of Santo Domingo el Antiguo. In it, the Christ Child becomes a glowing pearl, illuminating with otherworldly radiance the three adoring shepherds and St. Joseph in his blue tunic and yellow cloak. Presiding over the scene that soars heavenward like a mighty Gloria...

Author: /time Magazine | Title: Art: EL GRECO'S LAST GLORIA | 12/17/1956 | See Source »

...with some--though not all--of the other major roles, the difficulties of the play reassert themselves. Bryan Falk's Claudius appears unnecessarily stiff. Certainly the King should be regal, but that need not restrict the actor who portrays him to the single tone level and rate of delivery. Somewhat the same is true of Robert Jordan, in the part of Laertes. He tends to speak too fast to let his lines be readily understood. Lisa Rosenfarb, the Queen, happily avoids these mistakes. She speaks poetry perhaps better than anybody else in the cast. But in the other aspects...

Author: By Thomas K. Schwabacher, | Title: Hamlet | 12/14/1956 | See Source »

...public spectacles and sad-fiddled private woes. The big scenes were for the most part handsomely played; in the rise and fall of Kings there were actors who could do rich justice to the king's English, and the Bard's, and Director Michael Benthall contrived much regal flow and movement...

Author: /time Magazine | Title: The Theater: Old Plays in Manhattan, Nov. 5, 1956 | 11/5/1956 | See Source »

Previous | 111 | 112 | 113 | 114 | 115 | 116 | 117 | 118 | 119 | 120 | 121 | 122 | 123 | 124 | 125 | 126 | 127 | 128 | 129 | 130 | 131 | Next