Word: regalness
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Hesburgh, who attended Notre Dame's Holy Cross seminary and later taught theology at the university, has gone at his prodigious works with unwavering energy and focus -- plus a regal self-assurance. A globe-trotter who covers as many as 150,000 miles a year proselytizing for Notre Dame, he has said Mass at the South Pole and at the Faculty House of the University of Moscow. (The difference between God and Hesburgh, goes an old campus joke, is that God is everywhere and Hesburgh everywhere but Notre Dame.) With this spiritual nourishment fed into a healthy ego, he retains...
...that really provides the bang for the buck. Zeffirelli and Costume Designer Dada Saligeri offer a regal gold and mother-of-pearl panoply: high atop a throne in the far reaches of the cavernous stage perches the black-clad, thousand-year-old Emperor (Swiss Tenor Hugues Cuenod, making his company debut at 84). For the first time the Met stage, which has swallowed whole such formidable productions as Nathaniel Merrill's 1966 Die Frau ohne Schatten, looks cramped. As is its custom, the Met declines to reveal the spectacle's cost, but best guesses run to about $1.5 million...
Within the Roman splendors of his apartment, Morricone induces daily doses of therapeutic distress by getting down to work with the dawn. "Tell me," he challenges, "what other composers get up at 5 in the morning?" Morricone does not use his regal Steinway grand for composition, but sits over his score paper at a desk in his workroom. The room, kept locked against the incursions of four children, ages 20 to 30, who still come by and "steal my records," also accommodates a broken 17th century organ, a functioning studio-size recording console, piles of music books and tapes...
Among postwar American entertainers, none provoked that question more often than a kitsch pianist with a scullery maid's idea of a regal wardrobe, who for more than 40 years attracted stalwart Middle Americans to romps that he himself once characterized as "just that far away from drag." As a musician, Liberace was a panderer: he edited classics down to four to six minutes because, he said, his audience would not sit still for anything longer. He sang and tap-danced competently, no more. From the early 1950s, when his syndicated TV show appeared ten times a week...
After all, where could they even go? Chrissy, Janet and Jack have dibs on prime-time. And there are no Regal Beagles in Hell...