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Unfortunately the adjective is actually two adjectives, one in the English text of the Treaty of Trianon, and the other in the supposedly identical French text. The adjective is "royal," and it is also "regnant," which most scholars would translate "ruling," not "royal...

Author: /time Magazine | Title: THE NETHERLANDS: Papa Friedrich Preferred | 2/18/1929 | See Source »

...person could be found whose family had been royal but not regnant, he might shrewdly claim that his estates in Czechoslovakia ought not to have been confiscated. He could point triumphantly to a clause in the Treaty which says that, in case of dispute, the French text shall prevail. Such a person is the Archduke Friedrich, onetime Austro-Hungarian Feldmarschall, beloved as "Papa Fried-rich," and now resident in that hotbed of royalists, Budapest. It was "Papa Friedrich's" $125,000,000 estates (long since confiscated by Czechoslovakia) which were being wrangled over at The Hague...

Author: /time Magazine | Title: THE NETHERLANDS: Papa Friedrich Preferred | 2/18/1929 | See Source »

...Archduke's lawyers argued that his personal family was never "regnant." It was "royal," since he was a cousin of Emperor Franz Joseph, but not "regnant" positively not "regnant." Therefore his estates should never have been confiscated, must be promptly returned...

Author: /time Magazine | Title: THE NETHERLANDS: Papa Friedrich Preferred | 2/18/1929 | See Source »

...principality, smallest in population in Europe. These inhabitants, the Prince well knew, were celebrating the completion of the seventieth year of his reign. The Prince has reigned six years longer than Queen Victoria, two years longer than Emperor Franz Josef, and only two years less than the 72-year regnant King Louis XIV of France...

Author: /time Magazine | Title: LIECHTENSTEIN: Good Prince John | 11/26/1928 | See Source »

...same of the simple passages in Shakespeare; they are perfect; their simplicity being a poetical simplicity. They are the golden, easeful, crowning moments of a manner which is always pitched in another key from that of prose, a manner changed and heightened; the Elizabethan style, regnant in most of our dramatic poetry to this day, is mainly the continuation of this manner of Shakespeare's. It was a manner much more turbid and strewn with blemishes than the manner of Pindar, Dante, or Milton; often it was detestable; but it owed its existence to Shakespeare's instinctive impulse towards style...

Author: NO WRITER ATTRIBUTED | Title: Passages from Matthew Arnold. | 4/13/1894 | See Source »

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