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...magnum to TIME for your photopus on Florida! I regret that the format did not permit presentation of one of the most pressing problems in our state-educational quality in the several state universities. Quality is subtle, but there is nothing subtle about the continuing loss of outstanding teachers and researchers from one's alma mater for better opportunities elsewhere. The "pursuit of excellence" is becoming a rout! The demand for "rigor" in education is fast yielding to rigor mortis instead...

Author: /time Magazine | Title: Letters: Apr. 28, 1961 | 4/28/1961 | See Source »

...Soviet Academy of Sciences (TIME cover, June 2, 1958), added little new information, but they rehashed the flight with unflagging enthusiasm. And they promised to release more scientific data soon. Told that U.S. newsmen had suggested he came from a princely family, Gagarin cracked: "I express my regret, but I have to disappoint them...

Author: /time Magazine | Title: Science: The Cruise of the Vostok | 4/21/1961 | See Source »

Felt said that he is leaving with great regret but added "several interesting things have been opening up and I look forward to moving on elsewhere." He is a 1951 Business School graduate...

Author: NO WRITER ATTRIBUTED | Title: Felt Will Resign From H.A.A. Post | 4/14/1961 | See Source »

...composer intended Calaf and Turandot "to descend through love to the level of mankind." They would at times echo Liu's touchingly simple music. Her sacrifice would not have been in vain. But, at the same time, through the sheer excitement of this last duet, the audience would not regret this sacrifice, but instead would realize that the grand love of Calaf and Turandot required Liu's death. Her demise was not pathetic but necessary. As it stands now, Alfano's cheap music for this scene is just as brazen (and far less exciting) than the second act riddle scene...

Author: By Ian Strasfogel, | Title: "Turandot": Puccini's Best | 3/24/1961 | See Source »

...Timur, Giorgio Tozzi brings so much sincerity to the part that I can only regret that he did not perform in the Metropolitan revival which I saw a few weeks ago. In his beautiful scene after the death of Liu, Tozzi evokes Timur's peculiar mixture of frustrated power and deep affection with especial effectiveness. Renata Tebaldi has recorded Liu once before, for a London release, and time seems to have lessened the appropriateness of her great voice for this role. Today, she sounds more like a dramatic Verdian heroine, than a pitiful slavo girl. But her extremely sensitive phrasing...

Author: By Ian Strasfogel, | Title: "Turandot": Puccini's Best | 3/24/1961 | See Source »

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