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Word: rehashes (lookup in dictionary) (lookup stats)
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...Politics. Not all of New Times's exposés deserve much exposure. Political Editor Robert Sam Anson's rehash of John Kennedy's murder was full of speculation and assumptions. A story about discrimination on the Supreme Court's 250-member staff was short on recent examples...

Author: /time Magazine | Title: The Press: Newer Times | 2/23/1976 | See Source »

Concerts abound this week. For example, Friday, the Garden features a triple bill with ZZ Top's "Bible-Belt Boogie"--a rehash of old blues licks at deafening volumes. Also the Blue Oyster Cult (embarrassingly bad) and Duke and the Drivers, listenable though still left in the shadows by J. Geils...

Author: By John Porter, | Title: Rock | 10/2/1975 | See Source »

...Ford held a press conference, where UPI reporter Helen Thomas asked him to discuss the lessons of Vietnam. Ford seemed miffed by the question. "It was sad and tragic in many respects," he responded, with no apparent sense of understatement. "I think it would be unfortunate for us to rehash allegations as to individuals that might be to blame, or administrations that might be at fault...

Author: By Geoffrey D. Garin, | Title: War Crimes: Who's Sorry Now? | 5/23/1975 | See Source »

...perk up this familiar rehash, Updike gives his clergyman a bag of Nabokovian wordplays and tries to pass him off as Humbert Humbert (in Lolita, Humbert observed, "You can always count on a murderer for a fancy prose style"). Marshfield rattles off alliterations as if he were on death row. He describes a local nursery "which piously kept its Puerto Rican peony-pluckers in a state of purposeful peonage." With nary a blush he writes of returning home to the "fusty forgiveness of my fanlighted foyer." His frequent dissections of sex and theology revolve around a central question: How many...

Author: /time Magazine | Title: Books: Ring Around the Collar | 2/17/1975 | See Source »

Sensual Fire. Plisetskaya's Odette is all shimmering ice; her Carmen is sensual fire. By and large, this version of the Prosper Mérimée story is downright ludicrous. Set to a percussive rehash of Bizet melodies (some from Carmen, some not), the choreography by Cuba's Alberto Alonso must have seemed madly daring when it was first shown in Moscow seven years ago. In fact, it is full of dated psychological posturings. Moreover, despite strong dancing by blond young (24) Aleksander Godunov, one of Plisetskaya's favorite partners, and Sergei Radchenko, the roles...

Author: /time Magazine | Title: Dance: Maya the Marvelous | 9/30/1974 | See Source »

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