Word: reich
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Dates: during 1950-1959
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...dismisses the German dream of recovering the "lost provinces." De Gaulle is obviously no enthusiast for a reunited Germany that would be bigger in population than France. In his memoirs (now compulsory reading in all alert chancelleries), De Gaulle described his postwar German policy-"end of the centralized Reich, autonomy for the left bank of the Rhine," and some kind of loose federal regime, which, he said, was the only way that "the Russians might allow the Prussian and Saxon territories to remain branches of the main trunk...
Most West Germans have dropped their recollections of Hitler's Reich down a convenient memory hole and are disinclined to resurrect them. To make sure that they are nonetheless nudged from time to time is the task of a small but diligent scholarly organization with the innocuous name Institut fuer Zeitgeschichte (Institute for Contemporary History), housed in a quiet, three-story house in Munich, the city where Hitler got his start...
Testing the Fakes. The mass counterfeiting of British money was an audacious Nazi trick with a double purpose: to undermine British currency and to finance Gestapo operations abroad. For special Section 6-F-4 of the Reich Security Office, it proved to be a tough job. It took top German engravers seven months to get a satisfactory plate made (the figure of Britannia gave them particular trouble), and still longer to match the bluish rag paper that the real notes were printed on. Dates and serial numbers were carefully checked against real ones. At last came the test. A Gestapo...
Small World. For the unforgiving, who cannot forget the Nazis' cruel conquests, there is savage irony in the fact that the Freedom Bell now rings out daily over the city that was the capital of Adolf Hitler's Thousand-Year Reich. But the Nazis never won a free election in Berlin, even failed to get a majority in the first municipal elections held there after Hitler came to power...
...Capriccio, in 1941. but the world that he and co-Librettist Clemens Kraus invoked in their "conversation piece for music" was as remote in spirit from the chaos of a Bremen or a Mannheim as Strauss's Bavarian mountain retreat was from the final convulsions of the Third Reich. The subject is opera itself-the relative merits of words and music-and it might just as aptly have been summed up under the title Six Characters in Search of an Opera. In a rococo salon near Paris, the six main figures sit chatting for the whole of one golden...