Word: reiche
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Stern (circ. 1.87 million) this week will publish the first of numerous installments from the black leather-bound diaries, which date from June 1932, seven months before Hitler became Germany's Chancellor, to mid-April 1945, just two weeks before his death and the fall of the Third Reich. Each volume contains from 75 to 100 pages, written in black ink, many bearing Hitler's signature at the bottom. Upon completion, each diary was wrapped with a thin red cord and sealed with a red wax imprint of the swastika...
...Robert Reich provides intellectual firepower for the Democrats...
...decade." Says Senator Gary Hart, another Democratic hopeful: "Few books on economics are bold enough to capture one's imagination. This is one." The object of the praise is The Next American Frontier (Times Books; $16.60), a provocative new analysis of America's economic ills by Robert Reich, 36, professor of business and public policy at Harvard's Kennedy School of Government. Searching for alternatives to laissez-faire Reaganomics, the activist Democrats have found an intellectual mentor in Reich, who argues that Government must forge a partnership with business and labor to reduce unemployment and meet foreign...
...that he attended Yale Divinity school and graduated from Yale Law School, ignoring his B.A from Bethany College. In the acknowledgements, Hart cites several prominent academicians, including former Yale President Dr. Kingman Brewster, former Carter inflation fighter Alfred J. Kahn. MIT's Robert Solow, and Kennedy School hotshots Robert Reich and Daniel Yergin Throughout the text, the senator shows a wide ranging familiarity with Bartlett's Familiar Quotations, citing among others Winston Churchill, Leo Iolstoy, Jose Ortegay Gasset, Theodore Roszak, H.G. Wells and Cicero...
...BEST of the opening night pieces. "Treading," probably rates with Ailey's popular "Revelations" or "Memoria." Choreographed by Eliza Monte with music by Steve Reich. "Treading" was danced, or rather synthesized, by Sarita Allen and Kevin Brown. The abstract work moves to music reminiscent of African drumbeats in a modern electric synthesizer or a xylophone. Slowly, the two bodies stretch, plie, arch and contract together and apart as the man and woman unite. The technical strength of the two dancers is apparent every moment, as they balance on one leg or develop their legs into high back arabesques...