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Most importantly, will the University do something before exams start and the real suffering begins? David G. Rabkin '83 Daniel H. Reich...

Author: NO WRITER ATTRIBUTED | Title: Fire Alarms At Lowell House | 11/22/1982 | See Source »

...term minimalism for the new music [Sept. 20] is a misnomer. Far from being a look at sound through a microscope, it is more like a Xerox machine run amuck. Steve Reich's Four Organs is not deceptively simple, it's just simple...

Author: /time Magazine | Title: Letters: Oct. 11, 1982 | 10/11/1982 | See Source »

...minor customs official, Kohl was born on April 3 , 1930, in Ludwigshafen, an industrial city on the Rhine River. In the closing months of World War II, when the Third Reich was drafting teen-agers to fill depleted ranks of the depleted ranks of the Wehrmacht, the 15-year-old Kohl went through a basic training course in Bavaria. Advancing American troops brought his military career to an abrupt end. With only his tattered, ill-fitting uniform and not a pfennig to his name, Kohl made the 560-mile walk home to finish his schooling. Working part time...

Author: /time Magazine | Title: The Man Who Would Be Chancellor | 9/27/1982 | See Source »

...Unlike Reich, who writes largely abstract, or "absolute" music, Glass revels in his music's inherent theatricality, and his best works have been for the stage. With his slightly bug-eyed stare, shock of unruly hair and his jeans and work shirts, he is the very picture of the bohemian composer, admirably captured in a huge portrait, Phil, by Artist Chuck Close that hangs in New York's Whitney Museum. Glass's adventurous collaboration with avant-garde Dramatist Robert Wilson resulted in Einstein on the Beach, an experimental five-hour "opera" that played to packed houses...

Author: /time Magazine | Title: Music: The Heart Is Back in the Game | 9/20/1982 | See Source »

...fastest-rising minimalist composer-and potentially the most influential of all-is John Adams, a New Englander who now lives in San Francisco, where he is composer in residence with the San Francisco Symphony. Adams' music represents less of a conscious break with the past than either Reich's or Glass's; instead of reducing his music to the bare bones, Adams draws inspiration from composers like Beethoven, Mahler, Sibelius and Stravinsky. His works have a lushness and emotional depth largely absent in the ascetic though fundamentally cheerful sounds of Reich or the giddy, explosive rhythms...

Author: /time Magazine | Title: Music: The Heart Is Back in the Game | 9/20/1982 | See Source »

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