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With the controversy over last week's television series on the Holocaust still simmering, the appearance here of Telford Taylor, the chief counsel for the U.S. in the Nuremburg Trials, is very timely. He will speak on "Guilt and Responsibility in the Third Reich" next Tuesday at 8 p.m. in Science Center...

Author: By Gideon Gil, | Title: No Snappy Titles | 4/27/1978 | See Source »

Like Hamlet and Polonius interpreting the shapes of clouds, psychohistorians tend to find whatever emotional apparitions they need to prove a thesis-as if the Third Reich, for example, could be explained by little Hitler's toilet training. Fortunately, Historian James T. Flexner is temperate and plausible enough in his psychologizing about the young Alexander Hamilton to offer a fascinating new analysis of a precocious and odd career...

Author: /time Magazine | Title: Books: Cracked Alabaster | 4/24/1978 | See Source »

...movie. Not only is Holocaust faithful to the facts of a horrific historical episode, this show also has the power to keep fickle TV viewers riveted to the tube. It is an uncommonly valuable achievement: Holocaust is likely to awaken more consciences to the horrors of the Third Reich than any single work since Anne Frank's diary nearly three decades...

Author: /time Magazine | Title: Television: Reliving the Nazi Nightmare | 4/17/1978 | See Source »

Perhaps the finest achievement is the depiction of the Germans. In most movies or TV shows that describe the Third Reich, the Nazis are heel-clicking automatons who run around yelling "Heil Hitler!" The effect of such theatrics is to rob genocide of its meaning; audiences can dismiss the Final Solution as the creation of a few madmen. In Holocaust, most Nazis are seemingly normal people who all too easily answer the call of a racist and fascist government. One of the show's principal characters is an intelligent lawyer and family man, Erik Dorf (Michael Moriarty), who rises...

Author: /time Magazine | Title: Television: Reliving the Nazi Nightmare | 4/17/1978 | See Source »

...were afraid they would vitiate what we were trying to do-appeal to a broad audience." Though the Weisses are products of Green's imagination, the historical framework of Holocaust is, of course, not. The show was exhaustively researched. Besides relying on the vast literature on the Third Reich and Green's previous interviews with death-camp survivors, Titus consulted with religious leaders and even purchased "home movies" of Nazi atrocities from ex-SS officers...

Author: /time Magazine | Title: Television: Reliving the Nazi Nightmare | 4/17/1978 | See Source »

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