Word: reiche
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...alive today who were not born when World War II broke out. Since it ended, Hitler's life has furnished material for a thousand historical theses. But of late it has moved into the twin fields of memoir and entertainment. Since Albert Speer's Inside the Third Reich was published in 1970, one might suppose that everyone who had anything to do with the Führer, from general to cook, had been signed up for paperback. Five new volumes of Hitleriana have recently come out in English, and a brace of feature-length films-with more...
...personality: the stiff, corseted movements, the crescendos of temper, the harsh, mesmeric voice grinding out its long postprandial diatribes against traitors, smokers and meat eaters. The words rebound from the elephant-colored walls of the bunker as once they had echoed down the parade grounds of the Third Reich. Hitler's pallid hand, shaking from Dr. Morell's amphetamine capsules, spoons dollops of Schlag onto a slab of chocolate cake. The movie is the world's most overdocumented Grand Guignol, the phantom of history's opera at bay in the foundations of the Fuhrer...
...himself would have approved the mythic stature (if not the odium) that posterity has accorded him: his entire life was conceived as a prodigious drama - "Qualis artifex pereo!" as Nero is supposed to have said ("What an artist dies with me!"). Even the name of his superstate, the Tausendjahrige Reich, or Thousand-Year Reich, was derived from prophetic myths about the Christian millennium: a time when, after a cosmic battle between Christ and Antichrist, the forces of evil are locked away forever, the dialectic of history is abolished, and a reign of permanent, static harmony prevails over the earth...
...called Swastika. Produced by 36-year-old Englishman Sanford Lieberson (Performance) and directed by a 23-year-old Australian newcomer named Philippe Mora, it began as a research job on the copious surviving archives of Nazi film after Lieberson bought the rights to Speer's Inside the Third Reich. But what altered the film makers' intentions was the discovery, by Film Historian Lutz Becker, of Hitler's own home movies - some five hours of Agfacolor stock, shot mainly by Eva Braun and her friends, of the Führer and his court relaxing (if that...
...Hitler at ease is the message, as always with home movies. Most of Swastika consists of previously unused material from professional Nazi films, mainly propaganda and newsreel, tightly edited together so as to present the illusion that Mora had sent a documentary team 40 years back into the Reich. The home movies make it seem as though Andy Warhol tagged along...