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...Reiman Center...

Author: By Ben A. Cowan, Angela Marek, Diana R. Movius, and Cara New, S | Title: Fall Theater Preview: October | 10/8/1999 | See Source »

...ballet company lowered the audience's guard with a lovely--if highly traditional--opening dance from the opera Sanson and Dclilah, only to follow it with the first big surprise of the evening. "Souls of Steel," a raucous and percussive piece that electrified that Reiman Center, setting up an energy that lasted all night...

Author: By Jamie L. Jones, CRIMSON STAFF WRITER | Title: Mostly Nontraditional Jazz Under Foot | 12/11/1998 | See Source »

...performers and directors made the very best of the Reiman Center for the Performing Arts. Filled with too-few bleachers and folding chairs, it is an awkward space for sold-out shows like these, but a large dance floor, constructed wings and excellent sound and light equipment made it a seemingly good space for the performers. Lighting effects were consistently excellent. Kepler and Weiss's use of light sticks in their duet "II," was especially impressive. Costumes were appropriate throughout the show...

Author: By Jamie L. Jones, CRIMSON STAFF WRITER | Title: Mostly Nontraditional Jazz Under Foot | 12/11/1998 | See Source »

...Company presents dancers for dancers' sakes. No more "passion sequences" a la 70s mainstage musicals. This is the real thing: bits from all over, Bach's Toccata in Fugue, Rhapsody in Blue, Firebird, and Mainly Jazz's peculiar Starbucks blend. Both April 17 and 18, 8 p.m., at the Reiman Dance Center...

Author: NO WRITER ATTRIBUTED | Title: PREDITORIALS | 4/17/1998 | See Source »

...least Dolly was cuddly. The prospect of headless frogs, or even headless humans, has ethical guardians, um, up in arms. "If you create bodies without heads ? well, they're not slaves, I'm not sure they are humans," says Jeffrey Reiman, professor of philosophy at American University in Washington. Good thing he gave us a heads...

Author: /time Magazine | Title: TUESDAY: Don't Lose Your Head | 10/21/1997 | See Source »

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