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...relentlessly hostile-toward Kubelik, at any rate- but now retired critic of the Chicago Tribune. Jean Martinon quit last year after a series of disputes that culminated in a clash with his musicians over discipline. The only recent conductor to succeed in the job was the late Fritz Reiner, a Hungarian with Germanic musical tastes, who brilliantly led the ensemble from 1953 to 1962 before illness forced him to retire...

Author: /time Magazine | Title: Conductors: Into the the Fray | 4/11/1969 | See Source »

...WONDERFUL WORLD OF PIZZAZZ (NBC, 7:30-8:30 p.m.). Fashion, chic and hip, co-hosted by Carl Reiner and Michele Lee, with Pat Paulsen, the Harper's Bizarre and the Cowsills as guests...

Author: /time Magazine | Title: Television: Mar. 14, 1969 | 3/14/1969 | See Source »

RUDOLF SERKIN: BRAHMS PIANO CONCERTO NO. 1 IN D MINOR (Columbia). Obviously Serkin likes this noble battle plan for piano and orchestra. Previously, he recorded it with Fritz Reiner, George Szell, and with Eugene Ormandy. Now he's back again with Szell and the Cleveland Orchestra. Few other scores so perfectly show off Serkin's heroic style, his armor-plated technique, and his by now infallible sense of just when to charge Brahms' craggy, imperial peaks...

Author: /time Magazine | Title: Television, Theater, Records, Cinema, Books: Oct. 25, 1968 | 10/25/1968 | See Source »

...gallery of comic-strip characters-including Alley Oop, Little Orphan Annie, Prince Valiant and Dick Tracy-leaps onto the TV screen in song-and-dance routines, animated episodes and interviews with such cartoonists as Al Capp, Milton Caniff, Charles Schulz and Rube Goldberg. Carl Reiner is the host...

Author: /time Magazine | Title: Television: Feb. 9, 1968 | 2/9/1968 | See Source »

Slightly taller than a shotgun and blessed with an acidulous nonstop wit, Brooks, 41, was one of the most inventive writers on Sid Caesar's old Show of Shows. Brooks turned performer himself in 1960, when he and Carl Reiner created a free-form vaude ville routine about the 2,000-Year-Old Man. This character was a geriatric loser with a Yiddish accent who invented the wheel but made it square; someone else cropped off the corners and copped the fortune. Later he met Shakespeare ("What a pussycat he was; what a cute beard"). Typically, The Man invested...

Author: /time Magazine | Title: Cinema: The Producers | 1/26/1968 | See Source »

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