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Mozart: Excerpts from Don Giovanni (Ljuba Welitch, soprano, with the Metropolitan Opera Orchestra, Fritz Reiner conducting; Columbia, 1 side LP). Next to her lurid Salome, red-haired Bulgarian Soprano Welitch gets her biggest hand at the Met in the role of the vengeance-seeking Donna Anna. A lesser man than the dashing Don would wilt before the fury of this thousand-volt voice. Recording : excellent...

Author: /time Magazine | Title: Music: New Records, Aug. 7, 1950 | 8/7/1950 | See Source »

Brandenburg Concert? (soloists and chamber group conducted by Fritz Reiner; Columbia, 6 sides LP). Dedicating the group "very humbly" to the Margrave of Brandenburg, in three of these Bach brought to perfection the concerto grosso form (in which a group of instruments instead of an individual soloist is pitted against an accompanying orchestra). Conductor Reiner balances his various instrumental voices like a master juggler, and gives the whole spacious warmth as well. Recording: good...

Author: /time Magazine | Title: Music: New Records, May 29, 1950 | 5/29/1950 | See Source »

...other wins have come easily. Baldwin and third-lineman Kent Eaton have scored goals in sudden-death overtimes to down Lowell and Dudley. Eliot clinched the inter-House title last week against Winthrop with a late counter by Reiner on a pass from Birdsall...

Author: NO WRITER ATTRIBUTED | Title: Eliot Six Faces Davenport in New Haven Today | 3/25/1950 | See Source »

...Mastodons will start Tom Cavanaugh at goal, Ames Stevens at left defense, and Clark Cowen at right defense. The fast-skating first line has Paul Bird-sall at center and wingmen Pete Reiner and Myles Herter. Eliot also boasts a high-scoring second line of Demetrius Anderson and wings Bob Baldwin and Bill Bridges, who have worked very effectively together all season...

Author: NO WRITER ATTRIBUTED | Title: Eliot Six Faces Davenport in New Haven Today | 3/25/1950 | See Source »

Shostakovich: Symphony No. 6 (the Pittsburgh Symphony Orchestra, Fritz Reiner conducting; Columbia, 2 sides, LP). The Sixth illumines little of the musical method of Shostakovich that the Fifth did not highlight as well or better, and adds a little circusy trash at the end. Performance and recording: good...

Author: /time Magazine | Title: Music: New Records, Dec. 26, 1949 | 12/26/1949 | See Source »

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