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Word: reiterated (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Prepared by your ad hoc lectures at the Grossenvahn, you can begin to explore treasures such as the Kunstmuseum, with its Blaue Reiter collection. After several days immersed in the corners, splotches, and brushstrokes of Klee, Kandinsky,Jawlensky, Kirchner, Macke, and Dali, venture upstairs to explore the world of Munich's artists...

Author: By Sarah L. Mcvity, | Title: A Portrait of the Art Student | 3/17/1981 | See Source »

PERSUADING FRIENDS to visit an exhibition of an artist as little-known as Gabriele Munter may be difficult, but it is well worth the trouble. Few are familiar with Munter's work; that's a shame. Munter's significant contribution to the Blaue Reiter movement, a reaction to impressionism that stressed abstract forms, merits far greater attention than it has received until now. Her participation in this avant-garde group, however, does not constitute her major achievement; the Blaue Reiter fails to encompass the whole extent of Munter's quiet originality of style...

Author: By Sarah L. Mcvity, | Title: Out of Kandinsky's Shadow | 9/29/1980 | See Source »

...down to one movement. She shows little traditional influence in most of her work, and in others, a definite Symbolist tendency, like her Portrait of Kandinsky, 1906, a lineoleum print that portrays Kandinsky staring out penetratingly against a background of large patches of stained-glass color. Her later Blaue Reiter work shows the influence of artists Jawlensky and Macke, as well as Kandinsky. In Still Life with Sunflowers, a simple outline of a vase supports very simply painted flowers. Using a minimum of strokes, Munter has made the stems stick out at jagged angles like a spider's legs...

Author: By Sarah L. Mcvity, | Title: Out of Kandinsky's Shadow | 9/29/1980 | See Source »

PERHAPS THE PRINCIPAL PROBLEM behind Munter's lack of recognition lies in her relationship with Kandinsky, a genuis of the Blaue Reiter group. At first his student, and then his companion for eight years (difficulty obtaining a Russian divorce from his first wife precluded their marriage), Munter's work was constantly, and unavoidably, compared to an artistic giant who towered above her in his achievement. Mochon, in her catalog accompanying the exhibition (worth the price), describes the role of the women in the Blaue Reiter circle as definitely secondary: in the discussion and planning sessions for an almanac to present...

Author: By Sarah L. Mcvity, | Title: Out of Kandinsky's Shadow | 9/29/1980 | See Source »

This exhibition, as well as focusing attention on a worthy but obscure artist, also shows that the Blaue Reiter movement included more than just Klee and Kandinsky. As a woman who persisted in her original interpretation of her time, Munter increased the scope of an artistic movement which helped define modern art, and at the same time, managed to remain involved with her subject in a way that always defied classification...

Author: By Sarah L. Mcvity, | Title: Out of Kandinsky's Shadow | 9/29/1980 | See Source »

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