Search Details

Word: reiterated (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

When Wassily Kandinsky was asked how he and the German painter Franz Marc first came up with the name for their Expressionist group Der Blaue Reiter (The Blue Rider), Kandinsky had an amusingly simple explanation: "We both loved blue," he said, "Marc horses and I riders. So the name seemed obvious." The new exhibit at the Busch-Reisinger, Franz Marc: Horses, has perhaps taken its cue from Kandinsky's anecdote. Spotlighting in particular Marc's "Grazing Horses IV (The Red Horses)," the exhibit celebrates a single, simple theme: Marc's love of and fascination with horses. But the effect...

Author: By Annalise Nelson, CONTRIBUTING WRITER | Title: ALL THE PRETTY HORSES: FRANZ MARC AT THE BUSCH-REISINGER | 11/3/2000 | See Source »

...Looking at these four paintings, you'd hardly guess that World War I was less than two years in the future. This was, in a way, part of Der Blaue Reiter's aim. Unlike the earlier Die Brcke movement, the second wave of prewar Expressionism-Marc, Kandinsky and their collaborators-did not paint the social upheavals of their time. Instead, they attempted to transcend social discord by creating images of other, hypothetical worlds. For Kandinsky, this meant a focus on apocalyptic imagery. And for Marc, of course, there was the natural world...

Author: By Annalise Nelson, CONTRIBUTING WRITER | Title: ALL THE PRETTY HORSES: FRANZ MARC AT THE BUSCH-REISINGER | 11/3/2000 | See Source »

...Keramet A. Reiter...

Author: By Alex B. Ginsberg, CRIMSON STAFF WRITER | Title: Shop Until You Drop | 9/21/2000 | See Source »

Staff writer Keramet A. Reiter contributed to the reporting of this story...

Author: By Winnie Wu, CONTRIBUTING WRITER | Title: Ellison to Publish Memoir | 9/19/2000 | See Source »

...Bauhaus movement initiated a more theoretical phase in Feininger's work and secured his place amongst the greatest artists of the 20th century, though many of his colleagues have over-shadowed him. In 1924 when Kandinsky formed Der Blaue Vier, a reference to his earlier Munich group Der Blaue Reiter, Feininger went with him along with Paul Klee and Alexei von Jawlensky (whose works are also currently on display at the Busch-Reisinger). Teaching and producing with the group brought Feininger from there to the new Dessau Bauhaus and to Berlin where Klee and Kandinsky, in particular, expounded their famous...

Author: NO WRITER ATTRIBUTED | Title: Busch-Reisinger's 'Lyonel Feininger' Proves that Art is in the Details | 3/7/1996 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | Next