Word: reiterations
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ALBERT BLOCH-Goethe House, 1014 Fifth Ave. at 82nd. The only American to exhibit with German expressionism's Blaue Reiter group, Bloch returned to the U.S. in 1921, quietly settled down to teaching at the University of Kansas, where he died two years ago. Bloch's first New York exhibition in 37 years, which includes some of the Blaue Reiter works, reveals that the early, brooding Weltschmerz never left him. Alone and away from movements, however, he fashioned it into an individual theme. In paintings bathed with spectral moonlight, figures of darkness grope blindly through a lonely world...
...Bridge), who had set up shop in 1905 in an empty Dresden butcher's store. A loner by instinct, he quit them after a year and a half, afraid that togetherness would dilute his grim, self-imposed sense of artistic mission. Similarly, he shunned the trail-blazing Blaue Reiter (Blue Rider) circle, although he had the admiration of both Wassily Kandinsky and Paul Klee, who called Nolde "a primeval soul, a daemon of the earthly region...
...violent deaths. When last March Hitler's sister, Paula Wolf, casually mentioned to a German reporter that she had recently visited with "perhaps the only woman my brother ever loved," Günter Peis's news instincts were understandably aroused. The woman turned out to be Maria Reiter, blonde, buxom and 49, now living quietly in a Munich suburb. Reluctant at first, Maria finally gave Peis the long-kept secret of her uneven romance with Hitler from 1926 into the '305. As Peis reported it in the German weekly, Der Stern, and in the London Sunday Pictorial...
...LORA D. REITER...
Sensing the Mystic. Religion of a far less earthbound frame was also a prime concern of Germany's Blane Reiter (Blue Rider) group centered at Munich, which strove for what Franz Marc called "sensing the underlying mystical design of the visible world." But what looked like a new dawn for European art quickly clouded with the rumors of war. Wassily Kandinsky began introducing cannons into his abstractions. Paul Klee's expressions of his subconscious began to reflect fear. Klee's Blue Rider painting companion, bean-pole-tall August Macke, painted his somber Farewell, a square filled with...