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...supposed to have killed her ex-lover, is allowed to act as one of her attorneys at the murder trial. Finally, the real murderer forces Kelly and the artist to bang noisily on a sculpture while dozens of guests attend a stately memorial service in an adjacent room. Ivan Reitman is the coarsest and canniest of directors; Meatballs, Stripes and Ghostbusters had no subtlety or style, but all profitably exploited Bill Murray's goofy hipness. Here, however, Reitman misreads the audience's pulse. The villain of Legal Eagles is a pathological firebug, and Reitman tries to play it like Arson...

Author: /time Magazine | Title: MURDER IN THE WORST DEGREE LEGAL EAGLES Directed by Ivan Reitman Screenplay by Jim Cash and Jack Epps Jr. | 7/21/2008 | See Source »

...kids with beards--as Billy Wilder called them--are graybeards, and a younger generation is getting its turn. Paul Thomas Anderson, writer-director of the critics' darling There Will Be Blood, is 37. Jason Reitman, whose Juno is the only $100 million box-office hit of the five Best Picture finalists, is just 30. That leaves those two sassy outsiders--Joel Coen, 53, and his brother Ethan, 50--in the mainstream, though their entry, No Country for Old Men, carries the double-whammy genre curse of being a kind of western-horror movie. Can it beat out Anderson's parched...

Author: /time Magazine | Title: The 800-lb. Golden Gorilla | 2/14/2008 | See Source »

...making movies, they've arrived in style with No Country. It earned the brothers four nominations: three under the own names for Best Picture (i.e., producers), Direction and Screenplay, and with the pseudonym Roderick Jaynes for Editing. Now Blood-letter Paul Thomas Anderson is the potential upsetter; and Jason Reitman, 30-year-old son of Canadian comedy conglomerator Ivan Reitman, is the scion to watch...

Author: /time Magazine | Title: The Downsizing of Oscar | 1/22/2008 | See Source »

...support her without losing their tartness (or their reality) in the process, something authentically sweet about the way her relationship with Paulie keeps believably developing. The screenwriter, Diablo Cody, knows the limits of this story and, better still, the limits of our patience for its sentimental possibilities, and Jason Reitman, the director, is also a cool operator. He's much more a wry observer than an over-eager manipulator of our emotions. One example: almost every time Juno is on the street, a team of uniformed runners goes jogging silently past. They symbolize, I suppose, the fact that there...

Author: /time Magazine | Title: Juno: No False Notes | 12/7/2007 | See Source »

...this effort Cody and Reitman are particularly blessed by Ellen Page's performance. She has a way of making her preternatural articulateness seem real rather than forced, a way of indicating her vulnerability without pressing us for sympathy. Hers is a lived-in character, perking along, tougher than she looks, naturally funnier in speech and outlook than she probably knows. Juno is not a great movie; it does not have aspirations in that direction. But it is, in its little way, a truthful, engaging and welcome entertainment...

Author: /time Magazine | Title: Juno: No False Notes | 12/7/2007 | See Source »

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