Word: relationship
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Dates: during 1960-1969
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...they haven't found it in the sense of being able to work with the proletariat, of being in a genuine emphatic and responsive relationship to the proletariat -- if there is such a thing as the proletariat as they think of it. I have to quality here, too, because one of the most frustrating and significant things in American life is that even in the worst parts of this country, there is just enough to prevent starvaiton, just enough to provide for malnutrition rather than starvation...
...unnecessary and irrelevant it is. I happen to drive a sports car. When I first started working in the South ten years ago, I knew that I couldn't go with that sports car into some of these communities because I had decided that that would interfere with my relationship with these people. Well, it took me a long time to feel free enough to get to know some of these children well enough so that they could visit us in our home, and now, of course, I have found that these children love my sports car, and that these...
...keeping with this. One wonders who will be teaching the lower level courses now handled by instructors if instructorships are eliminated, or if faculty is cut back, as was suggested, to permit salary raises for junior faculty. One of the fundamental aspects of Harvard education, the close relationship between tutor or section man, and student, demands a large teaching staff. Is Harvard going to fill the gap by hiring more teaching fellows at salaries which compare unfavorably with those of T.F.'s at many other colleges? The Dunlop report gives extraordinarily little consideration to the broader effects of its recommendations...
...have only seen her nagging him and his death locks her in the role forever in our minds. Siegel refuses to resolve the personal problems set-up during the film, and although we hope for positive change, we are often left with ambiguity or permanent limbo (Russell's relationship with his mistress, and Madigan's to both wife...
Chabrol's films often begin with a single relationship, then introduce a third person who alters it completely. In The Third Lover, for example, Jacques Charrier jealously destroys the marriage of the writer and his wife; in the immensely complex Champagne Murders, Perkins and Ronet are introduced as inseparable, almost identical companions, but the influence that undermines their relationship remains an unknown until the ending. Always unsure of motive, always aware of an eerie presence that threatens to destroy the eccentric harmony of Chabrol's self-centered trio (Perkins, his wife Furneaux and friend Ronet), we watch spellbound as Chabrol...