Search Details

Word: relationship (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

Confirmation Flunked. There was an element of incongruity in their relationship. Bonhoeffer was a mature intellectual with a passionate commitment both to Christian theology and the anti-Nazi underground; Maria, half his age, had no zest for either theology or politics. The two first met in 1936; Bonhoeffer was 30, she was twelve. At the time, he was operating an underground seminary for anti-Nazi divinity students in Finkenwalde; Maria, member of an aristocratic, landed family, was living nearby with her grandmother, who asked Bonhoeffer to include the girl in a confirmation class for Maria's older brother...

Author: /time Magazine | Title: Protestants: Bonhoeffer's Love Letters | 12/1/1967 | See Source »

...contractor and the architect should work together. You save time and money and have a better building," said Andrews. Changes which the contractor finds are necessary can then be made "without all the red tape that is usually involved." Andrews hopes Harvard will allow the same architect-contractor relationship, though he thinks the University will choose the more conventional course...

Author: By Robert M. Krim, | Title: Andrews--genius of Scarborough is coming to Harvard | 12/1/1967 | See Source »

...colored light; the color sequences are always unfiltered, the tones those of the film stock without distortion. Unlike Warhol and Corman who treat the drug experience in terms of warped reality, of optically twisted images and superimposed patterns of color, Rooks and Frank are more concerned with the relationship between drugged and normal perception. Harwick, on Peyote, says, "I saw a yellow circle of light . . ." and Rooks cuts to a grey sky with an optically created circle of light in the middle of the frame. Through focus changes, we see at the very end of the shot that the circle...

Author: By Tim Hunter, | Title: 'Chappaqua' | 11/29/1967 | See Source »

Privilege, by Peter Watkins explores the relationship between the fiction film and the documentary, the written script read and performed as cinema verite. In a style most closely resembling a travelogue, Chris Marker's masterpiece Le Mystere Koumiko reveals Japan's national character by following a young girl. Rosselini describes his newest film La Prise de Pouvoir de Louis XIV as an educational film, and indeed, its greatness emerges from the simplistic straight-forwardness of films about artists and poets shown in high school auditoriums. Most recently, Conrad Rooks' extraordinary Chappaqua is, from start to finish, a home movie...

Author: By Tim Hunter, | Title: 'Chappaqua' | 11/29/1967 | See Source »

Oddly, Coleman did almost no work on the relationship between race and achievement--the effects of racial mixing on minority education. But the logic of the statistics on race and class in the U.S. makes the omission almost irrelevant. As long as schools fail to mix disadvantaged children of any race with more advantaged peers, they cannot provide equal educational opportunity. Since the vast majority of Negroes are poor, and the Negro middle-class all but non-existent, racial segregation equals social segregation. Integration is thus essential to improving Negro education. (Actually, since the Report's publication, other studies, most...

Author: By David Blumenthal, | Title: Coleman Report Brings Revolution, No Solution | 11/28/1967 | See Source »

Previous | 83 | 84 | 85 | 86 | 87 | 88 | 89 | 90 | 91 | 92 | 93 | 94 | 95 | 96 | 97 | 98 | 99 | 100 | 101 | 102 | 103 | Next