Word: relationship
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Dates: during 1970-1979
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...signature on a treaty to restrict both nations' long-range nuclear weapons. It was the signal for the great SALT II debate to begin in earnest. At stake is not just a treaty, but ten years of nuclear arms negotiations and the very nature of the relationship between the U.S. and the Soviet Union. Friend and foe of the treaty in the Senate feel they have embarked, in the words of Republican Treaty Opponent Jesse Helms of North Carolina, "on what may be the most significant national debate of our time...
...issue dramatizes the increased importance of the U.S.-Turkish relationship in the wake of the upheaval in Iran. It also illustrates the deterioration and current delicacy of that relationship. Before the Turkish invasion of Cyprus in 1974 and the subsequent arms embargo imposed by Congress it would have been unthinkable for any government in Ankara to solicit a Soviet blessing for some thing like U-2 overflights. There is now widespread resignation in Washington that the damage done by the Cyprus crisis five years ago will never be fully repaired. Many in the Government see the U.S. as having abused...
...does the relationship between Butch and his wife (Jill Eikenberry), who must, because Sundance is wounded, cease their wanderings and sample the pleasures of domesticity. If, in the end, one finds the movie attenuated and a little self-indulgent, it is still an amiable entertainment, its modesty a relief from a glut of hopped-up action epics...
...philosophical implications of the Allen-Keaton interchange in this sequence. Although highly sophisticated, the optical effects are not far-fetched; rather, they are subtly interwoven with "critical" points during the conversation and are sustained just enough to intensify the emotional, as well as ideological aspect of an intimate relationship. In many other sequences, the stationary shots are composed with an evident concern for pictorial arrangement executed in a manner that enhances dramatic conflict, by either equilibrium or disharmony in the distribution of white and dark areas over the screen. Often the shot is divided into two equal segments-one occupied...
...which, step by step, builds up the dynamic pace of Manhattan. Like a series of visual vignettes culled from a personal log (Allen calls them chapters), these sequences begin and end abruptly: the opening conversation between Allen and his girlfriend is, we immediately realize, a part of an ongoing relationship, while the closing conversation leaves us, as well as Allen, in a quandry; will they meet again and what will be the denouement of their romance...