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...part of Smokestack America, steelmaking finds itself struggling to survive not just the current downturn but a whole host of other, longer-lasting problems. These range from the lofty, uncompetitive wages of the unionized employees, to the antiquated state of many of the mills and fabricating plants, to the relentless pressure of foreign competitors who are themselves burdened with bulging capacity and weak domestic markets...

Author: /time Magazine | Title: Big Steel's Winter of Woes | 1/24/1983 | See Source »

...techniques are posing embarrassing questions either to get an offguard answer or, failing that, to describe the subject's evasive tics and mannerisms. Hatchet jobs survive, among other places, in the Style section of the Washington Post, whose good cultural coverage and criticism are burdened by a relentless ambition to be with-it and clever. (In its year-end listing of what is In and Out, the Post proclaims 1983 as the year "when it is really Out to be In," which rendered pointless the whole silly exercise...

Author: /time Magazine | Title: Newswatch Thomas Griffith: Cutting Down to Size | 1/17/1983 | See Source »

...150th anniversary of Carroll's birth and the 50th anniversary of Actress Eva Le Gallienne's original stage presentation. Inspired by the illustrations of Sir John Tenniel, Alice is again being produced by Le Gallienne, 83, who makes a flying appearance as the White Queen. After the relentless rehearsals, Burton, 25, observes, "my head is so full. It's been so hard that my head is sort of mush." Very Alice-like indeed...

Author: /time Magazine | Title: People: Dec. 13, 1982 | 12/13/1982 | See Source »

...poisoned arrows, kill dozens of animals at a time. The elephants' tusks are cut off and the huge corpses left to rot. During 1976 alone, writes Künkel, the ivory from 23,360 Kenyan elephants was sold to dealers in Hong Kong. The photographer, however, is as relentless as the poachers, discovering the beasts in surprisingly graceful and poignant stances. Künkel's work also manages to reveal why elephants have such a hold on our imaginations. It is not only their size but the strange feeling that one is seeing two creatures...

Author: /time Magazine | Title: Books: Luxurious Museums Without Walls | 12/13/1982 | See Source »

ROTHMAN AND LICHTER gamely confront the historiographical school which catalogues the New Left as merely the peak of some relentless sine curve on a cycle of generational conflict or reformist sentiment. The authors emphasize the restraints on radicalism in America, invoking historian Louis Hartz's conception of a culture which assumes liberalism as a civic religion from the outset. Struggling against the strong currents of moderation, the New Left formulated a coherent criticism of the very premises of the nation's liberal tradition; it thus attracted a massive following of skeptics where earlier 20th century movements on the Left never...

Author: NO WRITER ATTRIBUTED | Title: The Roots of Rage | 12/3/1982 | See Source »

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