Word: religion
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Dates: during 1930-1939
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...English-speaking world." The Des Moines Register and Tribune for ". . . artistic and readable typography . . . sound and socially constructive service . . . journalistic enterprise and vigor." The Churchman ". . . for 130 years of highly intelligent and uncompromising editorial freedom and independence for a dynamic and powerful contribution to a modern liberal outlook for religion. ..." Col. Robert Morgan White, publisher of the Mexico (Mo.) Ledger, for "distinguished accomplishment in country journalism...
...tells us how the author has grappled with the depression. 400,000 meals served, 400,000 leaves of bread baked and sold for 2 1-2 cents scrip, 10,000 pairs of shoes repaired, 8,000 cords of wood sawed, etc. . . . Mr. Mecklenburg feels that the answer of American religion to Russia must be as concrete as the challenge. To his credit be it said that his faith, apparently, is not without works...
...Editor Guy Emery Shipler was to receive the medal awarded annually to a newspaper or magazine by the University of Missouri School of Journalism. Citation: "For 130 years of highly intelligent and uncompromising editorial freedom and independence. . . . For a dynamic and powerful contribution to a modern liberal outlook for religion...
...Advocate's" verse is less impersonal. The prevailing voice breathes a mild Spring cynicism, satire for the religion of the University (J. Le B. Bolyell), and the defenceless pedantry of scholarship (F. Cole). The most poetic note is that struck by Mr. Stanford in his lines to Yvor Winters--a work of real craftsmanship and feeling...
...oldtime religion, even cloaked in the new creed of Communism, is not quite good enough for John Dos Passos either. But in all countries he is glad to observe the old forms breaking up. First-rate reporter, he keeps his editorial comment packed, neatly tacit, between the lines. In All Countries is a collection of quick camera shots made in the last nine years in Russia, Mexico, Spain, the U.S. Dos Passes' angle is never strictly orthodox, from either camp's point of view, but his camera is candid, though tilted perceptibly to the left. His tale...