Word: rembrandt
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Dates: during 1960-1969
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...Catholic Marie Hélène seven years ago, Guy became the first head of a Rothschild house ever to marry a Christian, had to resign the presidency of France's Jewish Community in the ensuing scandale.) The walls of their house are lined with paintings by Rembrandt, Gainsborough, Ingres and Boucher, some displayed in a strawberry-red salon that gives a visitor the impression of being inside a magnum of Chateau Lafite...
Gracious and unpretentious under his formidably brusque exterior, Kirby lives on 64 acres in Morristown, N.J., owns three other homes around the U.S. and a fishing lodge on the Gaspe Peninsula. His art collection is one of the coun try's best, includes Rembrandt, Gainsborough, Reynolds and Gilbert Stuart. But Kirby's greatest interest is in watching over his huge fortune, a job he has done so well that it has more than quintupled since he received his legacy from his wealthy father...
...comprehensive survey of the self-conscious art from Masaccio (1401-28) to Joan Miró and his grotesquely purple Self-Portrait of 1938. The lesson of the book is that a true painter always reveals more of himself than he knows-or perhaps wishes to. Rembrandt, the most prolific of all self-portraitists, paints himself at 60, his face crumpled in laughter but the eyes full of an old man's sadness. Van Gogh shows himself looking with slanted, anxious eyes at a world unfriendly and impossible to understand. And in perhaps the most macabre self-portrait ever painted...
...through clouds of charcoal. His bronze bas-reliefs have ragged edges as if these too were shards from some ancient temple Faces peer and hands pry through the surface as if trying to poke through to heaven. Although cast in medieval garb and aglow with the epicurean colors of Rembrandt, the art of David Aronson merely stages modern problems in ancient dress. What Aronson pictures is mans effort to cast aside his graven image, discard his mask of duplicity He has succeeded where few contemporaries have even dared to try in marrying today's religious concerns with the visual...
...artist must invent his style," Ensor said, "and each new work demands its own." He could etch the tranquillity of the soaring horizon of the lowlands as did Rembrandt. In one etching of 1888, Stars at the Cemetery, he used sulphur to corrode the copper plate, producing a luminous scumbled blanket like a modern abstractionist. Or equally, Ensor could foretoken the surrealists, as in his ironic view of a flaking skeleton titled My Portrait...