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Hals's fellow citizens found him "talented" only, and his latter-day reputation has suffered at the hands of art lecturers, who used to discuss his work as a foothill below the summit that Dutch art reached in Rembrandt. In reality, Hals stands halfway between Rembrandt's brooding darkness and Rubens' brilliant dash, also takes his place with them, in retrospect, as one of the best painters that ever lived...

Author: /time Magazine | Title: Art: HIDDEN MASTERPIECES: Hals's Laughing Child | 8/24/1959 | See Source »

...drawing, which influenced Rubens. It is a striking example of Caravaggio's favorite color combination-red and black-which has influenced painters from Georges de La Tour to the abstract-expressionist Mathieu. It lifts realism to an exalted plane by making the figure a light in darkness, as Rembrandt was later to do. And finally, it offers deep insight into St. Jerome, whose devout, blunt, passionate nature appealed strongly to Caravaggio...

Author: /time Magazine | Title: Art: HIDDEN MASTERPIECES: Caravaggio's St. Jerome | 7/27/1959 | See Source »

...original copy of Rembrandt's An Old Scholar Writing by Candlelight, was recently identified by the Fogg Art Museum as being genuine after lying virtually unknown in various attics since Rembrandt painted...

Author: NO WRITER ATTRIBUTED | Title: Rembrandt Painting Certified as Genuine By Fogg Expert | 4/9/1959 | See Source »

...bridle, the "cruel" light of "scientific restoration": "Major paintings are handed over to men in white smocks clutching scalpels and chemical swabs ... If there be fifty nailheads in a painted cask, they want to see all fifty. So they strip away . . . Hardly a single master has escaped intact, but Rembrandt appears to have suffered most of all, both in America and in Europe. His celebrated Night Watch at Amsterdam is now a Day Watch" Some other Eliot reflections...

Author: /time Magazine | Title: Books: School for Heroes | 3/23/1959 | See Source »

...Home, in 1914, he was a slick showman. He was experimenting with artificial lighting, using shading to create the illusion of depth. When a wire from Goldwyn complained that exhibitors would pay only half price for a half-lit film, C.B. wired back: IF YOU DON'T KNOW REMBRANDT LIGHTING WHEN YOU SEE IT, DON'T BLAME ME. Goldwyn promptly answered: FOR THAT THE EXHIBITORS WILL PAY DOUBLE...

Author: /time Magazine | Title: HOLLYWOOD: Epic-Maker | 2/2/1959 | See Source »

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