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Died. Sir Alexander Korda, 62, British cinemogul (Rembrandt, The Red Shoes); of a heart attack; in London. Hungarian-born Korda made his first films in a shed on the outskirts of Budapest after World War I, in 1931 put the British film industry on the map with his The Private Life of Henry VIII, with a cast of unknown performers (Charles Laughton, Robert Donat, Merle Oberon). He married Actress Oberon, lost a fortune, then bounded back with London Film Productions, Ltd., was knighted...

Author: /time Magazine | Title: Milestones, Feb. 6, 1956 | 2/6/1956 | See Source »

...museum. A Manet hangs by a Sargent; in the Chinese Loggia there is an early French French statute of a Madonna and Child; in the Raphael room, a bronze Roman bowl stands next to a Botticelli; and eighteenth century French bread cake lies near a magnificent self-portrait by Rembrandt; near several Whistler pastel is a collection of lace in a cabine which hides a hot air vent, in the Veronese room. "It is truly a human museum," says Carter...

Author: NO WRITER ATTRIBUTED | Title: Isabella Stewart Gardner Museum Brings the Renaissance to Boston | 12/9/1955 | See Source »

...such blameless refereeing but in Rodman's heartfelt reinterpretation of art history, past and present. In a succession of loosely connected essays he shows that art has always been two-faced. Giotto knew how to make the two faces-form and content-merge into one. So did Rembrandt and every other great painter. But artists who try to get around the problem by sacrificing form to content (like the academicians) or content to form (like the most extreme of the moderns) have always fallen flat between...

Author: /time Magazine | Title: Art: The Basic Debate | 11/28/1955 | See Source »

...York, Sam Goldwyn ruefully telegraphed: "Film awful. You show only half the actor's face, the rest is in darkness. I'll have to sell the film at half-price." DeMille's quick-witted rejoinder: "Is it my fault if you don't know Rembrandt lighting when you see it?" Exultant, Goldwyn wired back: "Wonderful, wonderful, with Rembrandt lighting I can get twice the money." "And," glowed Supersalesman Goldwyn last week...

Author: /time Magazine | Title: People, Sep. 5, 1955 | 9/5/1955 | See Source »

Good costumes, color and lighting help give the film a Rembrandt-like feeling with dark backgrounds, rich hues, bright faces. Actor Todd is suitably racy as Sir Walter, and Dan O'Herlihy as his side kick, Lord Derry, keeps pace. Britain's Joan Collins is easy on the eyes. In the regalia of her office, Actress Davis chugs about the palace like a twelve-cylinder Tudor, hand signals and all. She shaved some of her hair off for this role, but even so great a sacrifice was in vain. The Virgin Queen is strictly corn of the realm...

Author: /time Magazine | Title: Cinema: The New Pictures, Aug. 15, 1955 | 8/15/1955 | See Source »

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