Word: rembrandt
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...puritanical and humorless Malvolio, the square peg in the play's round hole, wears a long black gown and sports a moustache and goatee, looking for all the world as though he had just been sitting for a sober portrait by Van Dyck or Rembrandt. Feste the Clown is dressed in pink and rose, and makes use of hand-pup-sets. The earnest Viola first appears is dark gold; but when she disguises herself as the page Cesario, both she and her twin brother Sebatian (each believing the other drowned) are clothed in white-ruffed cerulean, exuding the purity...
...total of 20 acres. All the while, he had to preside over a staff of 600 and administer a budget of more than $5,500,000. During his stewardship the Met's collection grew to 6,000 European and American paintings, including 33 by Rembrandt alone...
...ferreting out the caches where the Nazis had hidden their art loot, proudly boasted that he was the first Allied offi cer to enter the Louvre upon the liberation of Paris. As director of the Met, he relished prowling galleries for finds, made auction history when he bought Rembrandt's Aristotle Contemplating the Bust of Homer for a record $2,300,000 with a wink. Last March he went to London to watch the bidding for St. George and the Dragon, was only momentarily crestfallen when it went to the National Gallery; his real game in Europe...
...Rembrandt's Titus, sold last year to California Collector Norton Simon. At Sotheby's in London last week, a Flemish painting of St. George spitting the dragon brought $616,000. Since the oil, attributed to Hubert van Eyck, is the size of a postcard (5| in. by 41 in.), it cost a record $26,552 per sq. in. At the new record's rate, a canvas a yard square would cost $34,411,000, more than 15 times the highest price ever recorded for a painting. A Rembrandt etching, called the "Hundred Guilder" print for the healthy...
...synthesis of street-scene pop and the cool world of science, Chryssa's Gates, like many other neon artists' works, is just a flickering glimpse of what pure light sources may someday offer when incorporated into art. Rembrandt depended on sunlight to unmask his carefully constructed layers of color. The impressionists struggled to depict in dabs of oils the natural light that bounced off haystacks into their eyes. Tomorrow's artists may ladle their color, at 60 cycles per second, right out of the rainbow...