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...Frederic Remington was as big as all outdoors. He stood over six feet and weighed, in his late years, as much as 300 pounds. He rode like a Comanche and drank like an unreconstructed reservation Indian-and he recorded the facts of Wild Western life with rare flair...

Author: /time Magazine | Title: Art: He Knew the Horse | 7/15/1946 | See Source »

Most of the work in the exhibit was done after the first of Remington's countless western tours. He made the trip at 19, on feet still tender from a year at Yale. He got his first callus when a tinhorn took him for his last cent. He added blisters working as clerk, ranch cook and cowhand. Finally he joined (as a correspondent) the fight against the Apache chief Geronimo...

Author: /time Magazine | Title: Art: He Knew the Horse | 7/15/1946 | See Source »

...Franklin Remington...

Author: NO WRITER ATTRIBUTED | Title: Roster of Alumni Returning for AHC Post-Victory Meeting | 6/4/1946 | See Source »

...Robert Remington Borden...

Author: NO WRITER ATTRIBUTED | Title: The University Counts Its Dead of the Second World War | 4/9/1946 | See Source »

...Philadelphia Press" opened in Philadelphia's Museum of Art. None of the few examples of war drawings had the static power of Winslow Homer's famed Civil War coverage for Harper's Weekly, nor the hell-for-leather zip of Hearst's Frederic Remington, but Glackens' Night after San Juan, which he drew while covering the Spanish-American War for the Press, was a topflight demonstration of vivid, accurate reporting. In the latter-day paintings, especially Shinn's The Hippodrome, Luks's The Spielers and Sloan's Wake of the Ferry, gallery...

Author: /time Magazine | Title: The Press: Reporters of the Brush | 10/29/1945 | See Source »

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