Word: remix
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Dates: during 2010-2019
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...repatriated art piece: the story of the Fox, the Hunter, and the Brown Bear. The new pole is a recent creation and thus bolsters the museum’s collection of contemporary Native American art—a collection which grew during the Peabody’s recent REMIX exhibit, which explored indigenous identity in the 21st century...
...REMIX exhibit was the result of a collaboration of Native American students and Peabody administrators looking to express the modern-day identity of Native American culture. Two pieces from the exhibit still remain in the gallery. One, a painting done by Bunky Echo-Hawk, replaced a 16th century photograph of a Native American that once hung outside of the “Change and Continuity” exhibit, according to Kelsey T. Leonard ’10, co-curator of the original REMIX exhibit and a member of Native Americans at Harvard College (NAHC). Leonard also noted the importance...
...range electronica and hip-hop. John R. Regan ’11, who was the heavenly coefficient to Thorn’s Hell at the aforementioned party, has found a way to reconcile his approach with the demands of his audience. “I’m a remix DJ,” said Regan. “Even if I do play Top 40, it’s not the original.” Still, Regan said his goal is to a find the “happy medium.” In terms of his priorities...
Lessig also stressed the importance of the Internet in the development of a “remix culture”—in which people constantly build upon and combine existing creative content—pointing to YouTube videos as examples...
...Today, rather than gathering around the back lawn and on corners…people gather in this digital environment, on this platform and, using free internet platform, share bits of culture they make,” Lessig said. “[Remix culture’s] importance has nothing to do with the technique. What’s important here is that this technique has been democratized...